You may have seen the hashtag #FCBD on your favorite social medium as of late. In case you were confused by the jumble of letters, that stands for “Free Comic Book Day.” The day is quickly approaching, happening on May 6th of this year. If you’ve never heard of the event, we’ve put together a short primer to help you out.
What is it?
Taking place on the first Saturday of every May, Free Comic Book Day is an international event in which comic book stores give away comics to anyone who comes in. It’s not every comic, mind you; there are a wave of comics branded with the FCBD logo which are eligible. But these titles span such an array of genres and ages that you’re bound to find something that appeals to you.
FCBD has been such an outstanding success that 2017 marks its fifteenth year in existence.
Where is it?
Everywhere! OK, well, not really everywhere. Not all comic shops participate in FCBD. Luckily, there’s a comic shop locator on freecomicbookday.com that will point you to your nearest participating store.
What can I expect?
Here’s where it gets fun. First of all, you can expect free comics. However, which comics is up to the shop. There are different tiers of offerings available at different stores so it all depends on how your local comic shop is participating. That Store Locator should help you determine where to go if you want to score a specific issue.
What’s available?
Ah, now you’re asking the right questions.
There’s a ton of good stuff. Fans of Marvel and DC movies won’t be disappointed as both Guardians of the Galaxy and Wonder Woman get the FCBD treatment this year, just in time for their respective films to hit theaters. But Marvel is also offering a chapter from their Secret Empire storyline while DC taps the popular DC Super Hero Girls for a comic.
Archie Comics gets into the mix with two titles of their own. The first is an all-new Betty & Veronica with art by the amazing Adam Hughes. Archie will also be offering a comic based on the popular Riverdale television show from The CW. That one should go over nicely.
A few highlights (or at least titles that I’m most excited for) include:
- TMNT: Dimension X prelude from IDW
- The Legend of Zelda: Twilight Princess/Ocarina of Time from Viz Media
- Doctor Who from Titan Comics
- Buffy: The High School Years from Dark Horse Comics
I’m also excited for Lion Forge Comics, which is using Free Comic Book Day as a stepping stone to launch their newest series, Catalyst Prime: The Event. Written by Christopher Priest with art by Joseph Illidge, the solicit for Catalyst Prime sounds pretty solid and this should be a good series. And with the intro to the series being free, it’s worth checking out,
Of course, that’s not all that will be available. Head over to the FCBD website for the full run down. (http://www.freecomicbookday.com/catalog) (Also, once again, not all of the titles will be available everywhere. You may want t check with your local shop to see if they ordered the one you’re looking for if they participate at that level.)
Anything else?
Yes, so much more!
Because this is such a huge event for local comic stores, many of them go all out to promote it. One of my local shops brings in members from the 501st Legion, a devoted group of Star Wars costumers who make various charity appearances. Every year you can see them roaming the sidewalk outside of the store, greeting pedestrians, interacting and taking pictures with customers waiting on line and just bringing an air of joviality to the occasion.
Yet another of my local comic and gaming store had cupcakes. Yes, homemade cupcakes with little plastic rings featuring Thor and Iron Man. That was a tremendous treat. (Sadly, this store has since gone out of business. I was definitely looking forward to seeing what they did for FCBD this year.)
Many comic book stores also host writer and artist appearances. They’ll invite creators to interact with fans, sign autographs, sell sketches… They basically turn Free Comic Book Day into little comic cons.
Some stores will host free or paid raffles and give customers a chance to win some cool prizes.
A lot of the supplemental fun is up to the individual comic shop and not hosted by FCBD so call your local store to see what, if anything, they may be planning.
I hope many of you are planning on visiting your local comic shop(s) on Free Comic Book Day. If you do just remember, these comics are free to you but the stores still have to pay for them. So when you get your free stuff, make a purchase as well. Like any other business, local comic shops only survive if they turn a profit. If you want to be able to enjoy Free Comic Book Day in the coming years, show them some monetary support.
While I was experiencing sensory overload at New York Comic Con, I had the luck of speaking with Gail Simone. We briefly discussed the Valkyries (“thanks for doing what you do, you guys are great!”), and what it’s like being a retailer (I love my job, and it is at times full of challenges), before our conversation turned to people new to comics.
LC: One of the first things I wanted to ask you is what you would recommend to new readers? Like, is there anything that you’re currently reading that you’d recommend?
GS: Well – laughs – for me, it is all about what people are interested in. You don’t want to recommend a horror comic book if someone doesn’t like that genre, but I think there’s some really great things that appeal to wide audiences like Saga, then we’ve got Lumberjanes, a good “entry-level/reading your first comic” type of story. There’s so much out there and there’s gonna be something they like based on what they’re watching on television or playing. With that, you’ll get the greatest success – someone else enjoying comics.
LC: That’s true! I love that feeling when you recommend something to someone, only for them to come back and ask for MORE. Speaking of fans, what’s your favorite fan response to something you’ve written?
GS: There’s been a couple of really cool things, and some of them center around cosplay. One of them is I was at FCBD in New Hampshire, and they had the Batcycle there, and we’re doing some photo ops and stuff, so I get on the bike, and all of a sudden I’m surrounded by all of these lovely, talented ladies dressed as female characters that I’ve written, so it was really amazing to feel and see that type of support and celebration. It was one of the happiest days and really stood out in my mind.
LC: What about on the negative side of things? I’m sure you’ve seen your share of criticism.
GS: You know, I had someone stand in line once and he comes up and says, “I don’t know you, I’ve never read any of your work, but I can tell from what my roommate says, that you hate men.” I was just kinda like, oh, okay, I didn’t know that, but thank you for telling me, so you know sometimes stuff like that happens, but it’s not very often anymore.
LC: That sounds….like a lot of energy to waste. – laughs-
GS: Yeah! -laughs- No kidding!
LC: Switching subjects here, I just read Red Sonja…at my store, we have Ladies Night, and it was one of our recommendation books with Black Widow, and I want to know if writing her affects your life for a little while, for example, after you get through writing an issue, are you in that warrior sort of mindset, with your voice raised, arms in the air, -barbaric yell- wielding pens/utensils as a sword?
GS: -laughs- When I’m sitting down to write Red Sonja, it goes kinda like this, because I love her character so much, and I love having the opportunity to bring new sensibility to her, so I’ll sit down and say, okay, I’m only going to have time to write a couple of pages in between doing these other projects, and I look up, and it’s twelve pages later! It’s that kind of thing. I get so lost in the story and what’s going on with her and how badass she is. I just completely lose track of time, which is unusual for me. I watch the clock a lot.
LC: I can only imagine. I’m sure it helps switching gears, especially since you have so many, varied projects going on.
GS: Yes! That’s why I like having so many different ones, in tone and style from each other, because if I was writing the same thing, it’d be so boring to me. Getting to exercise my horror side, or my funny side, or the more heroic side, it’s what I love about writing comics, to have that variety.
LC: Totally makes sense! Growing up, I read some of my dad’s Robert E. Howard books, and had my first brush with Red Sonja that way, and I just want to thank you for doing the reboot of her rape origins into something with more meaning. Strong characters do not have to stem from rape.
GS: Yeaaaah, that’s kind of a trope.
LC: An annoying one.
GS: It doesn’t really read very well in this day and age, and it was one of the conditions of me writing the character. We needed to lose that, and that she couldn’t sex with anyone unless she bested them in battle. That takes away a lot of choices, and to me, it’s not the way to prove her strength.
At this point, our time was running out, so I steered our conversation to the most important question of all.
LC: The fact that you’re a gamer is pretty widespread, is a Red Sonja game something you’d like to see come to fruition?
GS: Can you IMAGINE!? A game in that WORLD?
LC: YES. YOU COULD BE A TOTAL BADASS AND WORK YOUR WAY FROM THE BOTTOM AS THIS RAD WARRIOR.
GS: Especially if they had Smell-o-Rama, cause one thing I love about writing barbarian stuff is that it’s all in the dirt, and in the mud, and in all the elements, and it’s completely grounded, the opposite of superhero stuff. It’d be a blast, and I’d play the hell out of that!
Our time at an end, I bid goodbye to Gail, and made a beeline for the Dark Horse merch line as there was an Avatar: The Last Airbender item with my name on it. Many thanks to the great guys at Dark Horse and Gail herself for taking the time to speak with me!
The future is bulletproof, the aftermath is secondary.
And the future is here.
After all, today marks the release of the much-anticipated The True Lives of the Fabulous Killjoys from Dark Horse comics. Written by Eisner Award winner Gerard Way and Shaun Simon, and with art by the amazing Becky Cloonan, the title has been teased since 2009 and is finally arriving in our dirty little hands.
So, I know you’re wondering, has the wait been worth it? Has our loyalty during our 4 year wait for Way’s return to comics (you know, while he was busy with that band of his) been rewarded?
Well, you’re gonna have to be the judge of that. But I sure as hell feel like I’m getting my money’s worth.
Of course, I’ve been following the Killjoys story since the 2010 My Chemical Romance album Danger Days: The True Lives of the Fabulous Killjoys. The first two music videos from the album set the scene for the comic, showing us the Killjoys themselves as well as their adversaries at Better Living Industries. It introduced the post-apocalyptic world, the idea of resistance against corporate control and lead antagonist Korse, played by a frock-coat clad Grant Morrison.
I can’t vouch for how well you’ll be able to follow the story without the video background, but luckily this is an easy problem to solve. Here, I’ll solve it for you RIGHT NOW:
Please enter the url to a YouTube video.
Please enter the url to a YouTube video.
Killjoys #1 picks up years after the events of “Sing” and that’s where I’ll leave it plot-wise. I will say that the writing is strong, though like many first issues the pacing seems a bit off (this was a complaint I had with Way’s first Umbrella Academy series as well, to be fair). There’s plenty of intrigue and enough teased but not spelled out to keep you reading through issue #2, and new elements able to be introduced in the comic format, including a look at some seemingly spiritual beliefs in the Zones (in a very appropriately Grant Morrison-meets-Mad Max sort of way) and the long-promised grey morality of the two opposing factions.
Cloonan’s art hits it home. She’s able to make a desolate desert setting absolutely rich in-panel as well as portray the feel of the sort of rebellion the characters portray: it’s fun and games and it’s also deadly. The feel in some ways reminds you of Jamie Hewlett’s Tank Girl (a pretty obvious influence on the series as a whole), but remains firmly Cloonan’s work.
So, now that I’ve pretty much fallen all over myself praising it, do I have anything else to say? Well, yeah. As much as I loved the first issue, and I wanna stress that I did, I do reserve some concerns for the series. First of all, there’s an included element of sex work in the book: two robotic prostitutes are introduced. This is a trope that’s very easy to be exploited or just in general poorly used and I’m hoping Way and Simon steer it in a better direction than most.
My other concern comes from something Way said in an interview with USA Today. While talking about why the story focuses on the character of The Girl, he said “…because that was the message I wanted to convey: This is basically any young woman’s story.” While I applaud Way’s use of a female protagonist in an eagerly awaited title, I have to say that a male writing team telling “any young woman’s story” raises some red flags. Not that I think it will be bad, not that I think they SHOULDN’T, but the fact is that neither Way nor Simon has LIVED a young woman’s story and it speaks to the continued issues in the comic industry that a woman’s story has to be told by a guy. No matter what, Way will be telling the story from the experience of a friend, husband and/or father, not from the experience of being a teenage girl.
Also, while I’m loathe to mention it because I know I’m asking for trouble, I have to say: I really hope “any young woman’s story” doesn’t involve a 30-year-old celebrity bragging about calling her the c-word online via his Twitter profile.
Long story short: grab a copy of Killjoys today. It’s the start to what promises to be a great series with depth and storytelling or at least a lot of laser gun fights. Hopefully, both!
Ashly is an IHO Geek contributing writer who will die with her mask on if she’s got to. You can find her on Twitter @newageamazon
It Girl and the Atomics #1
Story by Jamie S. Rich with Art by Mike Norton
The background given to the story states a group of people were turned super by an alien spore and half are on a music tour with Red Rocket 7 (whether this is a band or another group of heroes is unknown). The rest are left to their own devices and the tale begins with the inner monologue of purple and fuschia clad hero, It Girl. As she cleans up the town, pummeling a baddy or two, she comes across her nemesis, Lala Wah-Wah (seriously), and puts the henchmen out of their misery while a bystander is hit by a car, causing her mission to…fail?! Turns out, this It Girl is a character in the popular video game, Dark Streets, and the blonde girl playing it is the REAL It Girl dealing with her boredom since the other heroes left on their cosmic music tour. Her presumed roommate Dorrie urges her to get out there and be a hero for real instead of wasting her time on games. She begrudgingly sets out on patrol and notices a former criminal adversary entering a pawn shop with a gun and sets out to foil the robbery before it happens. A flashback reveals this criminal killed It Girl’s sister and served time in jail for it, leaving him an ex-con and unable to find a job. He is confronted by the gang he used to run around with and they beat him up while we see It Girl convening with the remnant of the Atomics, agreeing to be Dr. Flem’s scapegoat, the first experiment of which will teleport her to a fixed location a short distance away. As she disappears, she feels something pulling her back to Earth before she arrives. The issue ends with her panic. It’s a cute start and I’m intrigued to see where the story goes from here.
Those of you who have read Michael Allred’s Madman series will be a bit more familiar with the characters and universe, but even if you haven’t, I think It Girl and the Atomics is great to jump right in. The art is okay, not really to my liking, but does well with the story; the writing is where the story really shines. This is my fourth brush with Jamie C. Rich and while I think his prior work is better, I’m keeping in mind that this is the first issue and will inevitably improve.
The Creep #0
Story by John Arcudi with Art by Jonathan Case
Honestly, the title fucking confused me. There is no creep in this zero issue, so I’m wondering if that’s just a clue of what’s to come. Anyway, a kid (Curtis) kills himself via shotgun in the mouth and his mother reaches out to her old college boyfriend to search for a reason as to why he’d commit suicide, depression being out of the question. As he, Oxley, begins to delve into the boy’s life, he finds out his closest friend (Mike) committed suicide two months prior and so he interviews his mother to see if there are any details in common. His interview comes up dry and instead finds out both boys regularly went on hunting/fishing trips with Curtis’s grandfather, Jeffrey, who was heartbroken to have lost both boys. Oxley finally tracks down the grandfather who is now a homeless vagrant who has lost his mind and suffers from depression. He is angry to find out depression runs in the family and decides to opt against making the call to his ex to accuse her of denial.
This was a more grim, serious sort of comic, not unheard of for Image, but it’s not a happy romp in the park. It’s dark and the art suits it with it’s simple style and heavy shading.
I’m not 100% sure if I’ll pick up any other issues just because it feels like it’s trying a little too hard to be mysterious. There are odd hints in the beginning that may point to a bigger picture, so I’m unsure of if everything is at it seems.
Star Wars: Lost Tribe of the Sith #1
Story by John J. Miller with Art by Andrea Mutti
This feels like the Sith version of Dawn of the Jedi, but I sighed and flipped it open, hoping to be proven wrong. So far Dark Horse’s EU comics have been pretty hit or miss and since this one takes place thousands of years BBY, any chance of seeing anyone familiar is slim to none, but again, I’m hopeful. I always hate this font (I refer to it as Asgardian) because the h’s are hard to make out and it takes double the time to understand what the fuck these people are saying. This annoyance aside (which, thankfully, lasts for only one whole page), the story begins on the planet of Kesh and the people are celebrating the landing of the Sith so many years ago. One particularly robust native decides to act out and attempt to murder one of the Sith who are being honored, but she quickly puts him place. The story progresses and becomes convoluted with names and places, too many to keep track and our rebellious youth is paired up with the Sith nobles’ daughter as she struggles to prove herself among the Sith. Her plans go awry as they end up as stowaways on a ship to an arctic land and they battle the ship laborers, barely escaping to the icy tundra. This also doesn’t go very well and they narrowly miss being skewered by arrows, shot by vagabond nomads who reveal themselves to be The Doomed and also happen to recognize the scarlet hair and golden eyes of the Lady Takara.
Intrigue and gorgeous art is enough to make me pick up the second issue, but I’m hoping the story will be fleshed out a little more.
Gambit #1
Story by James Asmus with Art by Clay Mann
Oy vey. The first panel is a naked Remy LeBeau showering as he remarks on his life and ponders how much of him is just a costume. He dresses for a benefit at esteemed Empire State University with the underlying motive of robbing the host blind, but of course, not without flirting shamelessly with several ladies. His accented asides are wonderfully toned down so the garish, cliched lines he was given in his prior series are near nonexistent and it’s a welcome change. He creates a diversion with a cleverly charged toothpick after deciding to find out where Cich keeps his stolen mutie goods and instantaneously changes into a new, streamlined outfit. It’s certainly not the duster ensemble we’ve come to know and love, but it’s a realistic change. He successfully breaks into the room, and shows us how he acquired the items needed to bypass the tough security, which made me chuckle in appreciation; there’s always more than meets the eye. The issue ends on an interesting, cliffhanging note and I’m certainly intrigued, but nowhere near blown away as I was with Hawkeye #1.
The art is nice, although at times, especially where the ladies are concerned, it looks badly photoshopped. I was hoping this would relaunch the character into hearts everywhere, much like Geoff Johns did with Aquaman in the DC reboot, but alas, I fear this issue wasn’t strong enough.
Darth Maul: Death Sentence #1
Tom Taylor
Bruno Redondo
As we’re all familiar with, Darth Maul was last seen in Episode I: The Phantom Menace as he was cut in half and tumbled down a hole to his death…or so we were lead to believe. On the heels of the animated series Clone Wars announcing Darth Maul would be back, Dark Horse has released this mini-series detailing his survival. Short answer for all of you that MUST know: Maul’s unquenchable rage allowed him to survive, even as he was driven mad by pain and fury. That’s straight from the Horse’s mouth for ya! Anyway, if I’m to go off the quick summary of what happens immediately prior to this issue, Maul was categorized as trash and ushered off Coruscant in two halves to the garbage planet, Lotho Minor and his biological Zabrak brother, Savage Opress, rescues and takes him back to their homeworld, Dathomir, where he’s given ROBOT LEGS. Obviously, the Jedi catch wind of his survival and that’s where the issue begins. A member of a small, intelligent rodent-like species has sold the whereabouts of the brothers to an unsavory blond man, flanked by several Wookiee bodyguards and a red skinned man who looks like he’s raided Nappa’s closet. “Nappa” is rapidly murdered and for some reason, this signals to blond man that he can walk in there and come out alive (spoiler: he doesn’t). Savage Opress (which is a STUPID NAME) looks exactly like Maul down to the dual sided lightsaber but is rendered yellow, I’m assuming so we can tell them apart. Back on Coruscant, the Jedi Council dispatches a Jedi named Salmara and her Padawan Dray to get to the bottom of the rumors about Maul’s status now that word has reached them of a substantial bounty put on the Zabrak brothers. Maul and Savage Opress don’t take kindly to bounties put out on them and while we get to see Maul’s robot legs, they’re stupid. They look like transplated metal chicken legs instead of metal appendages that strike fear in my heart. The issue ends as Jedi Salmara confronts the brothers and while Savage Opress frowns at this, Maul grins. I didn’t care for the story. It’s vapid and silly and I can’t see a Star Wars fan sticking with it.
Eternity #1
Jeff Lemire
Cully Hamner
Christopher Freeman was an average male in his late twenties until he died and gained the power to “bring” people back from the dead…well, their spirits at least. This talent helps him out as a medical student but also brings forth attention from a black bald guy remniscent of the Turk, Rude, from Final Fantasy VII. Anyway, Chris has figured out that he can bring back someone for 24 hours and help them come to peace with their death and if they were murdered, help solve it. His latest client is a chatty, middle-aged man and they travel to the antique shop where the murder took place. The shopowner relays what’s missing from his shop and that he has a room for rent upstairs, leased by a young girl in a rock band. The guy starts to complain about all the people she would have coming over, the dates she had, and how much her band practiced overhead and in attempts to drown out the constant blabber, Christopher takes a closer look at the crime scene, noting the door was locked from the inside. He finds a flyer with the tenant’s band on it and heads out to their gig to question the girl. As the duo search the little club, Chris is rubbed more and more wrong by the things the shopowner is saying and notes that maybe he wasn’t a nice guy while he was alive. He finds the girl sitting backstage in tears and goes to talk to her. The shopowner also spies her and calls her a little slut but that she wouldn’t take the time to notice him so he showed her. Christopher immediately confronts the shopowner and bits of the crime fit into place. The girl flees, again in tears and Chris follows her to the roof, telling her he knows she killed the shopowner in self defense after he tried to rape her and he will help her. Later, he is congratulated by his boss and the local PD on a job well done and is approached by the Turk who says the shopowner was “his” and if Chris wasn’t careful, things were going to get dangerous. Christopher dismisses this warning and goes about life as usual, arriving at work late for a chance to see his crush. When she isn’t there, he is crestfallen and clocks into work at the morgue when he notices she’s the next victim on the table. Decent pacing, wonderful story telling from Lemire as usual. The art could be better but it works with Lemire’s haunting story telling. The ending is a bit ambiguous as to whether this will be ongoing or if this is just a one-shot…I’m hoping it continues.
X-Treme X-Men #1
Greg Pak
Stephen Segovia
The open to this comic is nearly unintelligible. To quote Charles Xavier: “You need to accept infinity.” Many severed heads of the good Professor from multiple realities are being harnessed by a young alternate version of Nightcrawler in order to transport a team of cross-dimensional X-Men from their dying planet to an uninhabited alternate Earth, which overloads the Xaviers and a portal opens above the new world. Meanwhile, Dazzler is putting on an impromptu show in San Francisco and as fans and hagglers gather, a burst of magic encircles her and the crowd gets excited and into the performance. A blonde girl on the edge of the crowd smirks and walks away as a thought bubble reveals SHE is actually Dazzler. She apologizes to her date for the momentary distraction and as their flirting reaches a peak, she is paged back to Utopia in order to charge the ghost box so Cyclops can help the X-Men team he’s met on his own inter-dimension adventures prior to AVX. As the portal is open, the alternate Wolverine (Captain James Howlett) bursts into the room followed by his team and a thrashing, tentacled creature. Dazzler rushes the creature in an attempt to close the portal but it grasps her in its tentacles. Emmeline Frost shrugs off Dazzler’s peril but reluctantly follows her leader to the rescue. A floating Xavier head laments that the tentacled being is what he looks like in this particular world and as the tentacled Xavier attacks with mental waves, the impervious Captain slices through its eyeball, saving them all. Introductions are made and Emmeline makes a snide comment that “Dazzler” isn’t what they call their Alison Blair. Floating Xavier interrupts and says that the mass teleportation may be the reason for the atrocious monster to have been created and that there are ten more monster Xaviers to take down, which he will teleport them to in hopes that they’ll be defeated. Floating Xavier makes the first jump and they’re teleported to a Roman looking empire where they encounter a group of armored god-like X-Men. Round One.
A little confusing and the art is lacking but I think it’s a solid intro to what looks like a ten to twelve issue series. The X-Men at the end are fucking badass and I want to cosplay as Storm.
Best character ever. All of these are covers of the Buffy comic series by amazing artist Jo Chen.
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