Major faux pas confession: While researching pt 1 of this post, I tweeted @Lea Hernandez (Killer Princesses, Teen Titans Go!) and it turns out she is not actually of Hispanic descent (oops!). Mrs. Hernandez, however, was happy to shout out other fantastic Hispanic comic creators who definitely deserve to be featured during Hispanic Heritage Month, which runs September 15- October 15 (yay!). Be sure to check out pt 3 as well!
Adriana Blake
This Venezuelan-American artist is the creator of Fall On Me, the popular web comic, which chronicles her life as an artist, wife, and mother.
Patricio Clarey
We’ve mentioned the superb work of this Argentinean artist in the pages of Archeologists of Shadows, but certainly not enough can be said of his mind-blowing blend of digital, sculpture, and comic mediums.
“Shouri” Maria Victoria Robado
This Argentinean artist has been cranking up the 80’s neon glam as colorist on Jem and the Holograms and The Littlest Pet Shop.
Lalo Alcaraz
This Mexican-American political cartoonist is the celebrated creator of La Cucaracha, which is a nationally syndicated comic strip that focuses on Latino culture and politics.
Emma Ríos
Before this Spanish artist was an Eisner Award nominee for her iconic work on the Image book Pretty Deadly, she did phenomenal interiors for Marvel titles like The Amazing Spider-Man . We await the next issue of Pretty Deadly for Ríos’ art as much as we do for DeConnick’s words.
Mario A. Gonzlez
This Mexican artist is the creator of two adorably-drawn webcomics Wyliman and Clink: two series which explore the paths to and nature of heroism.
The Hernandez Brothers
Jaime, Gilbert, and Mario Hernandez were giants on the alternative comics scene with their legendary 50-issue Love and Rockets. After their collaborative title concluded, these Mexican-American creators went on to separate but still laudable projects (though have returned to work on Love and Rockets sporadically).
Who are your favorite Hispanic comic creators? Shout ’em out in the comments!
Kaitlyn D’Agostino
Content Editor
@deadrabbit92
This past week it has been my pleasure to read the new digital graphic novel from Septagon Studios and created by a Spanish team including writer Laura Fuentes and artist Patricio Clarey. Now, as I’ve previously mentioned, I really don’t care for digital comics. Every time one comes up for review I slowly and reluctantly raise my hand out of a pool of tepid disinterest to volunteer because I suppose it gives me something to be annoyed about. Generally I scroll (I hate having to say that) through the pages with a million other distractions and miss out on that escape that comes from holding a graphic novel in my hand. I hold it against the comics, I really do. So, how did Archeologists of Shadows perform against the disadvantage of having such a grumbling and dismissive reviewer? For instance, was my distaste for digital comics overturned? No, but I’m unreasonable. The dominant feeling I did have after finishing the first volume in this epic science fiction tale was that I desperately wanted a printed edition of this comic to sit on my shelf forever. The glossy pages of the bound medium could only do a great service to the stunning art and concept that Fuentes and Clarey have given us. In other words: Shit was awesome, go download it and digital prejudices be damned.
Is my recommendation not enough to convince you to give it an immediate download? (the entire volume is only $.99, by the way). What a smart shopper you are. Here’s some product information for the penny-pincher in all of us: I hesitate to say that it’s steampunk, because I’d hate to turn people off of a book that they’d love because of disinterest or dislike of a genre. There have been no airships or fingerless gloves yet, I promise. However, the heavy focus on technological themes definitely strays into the steamy realm.
In the world of AoS, the holy scriptures of the Gods have been interpreted by those in the know, and their holy word isn’t looking so favorably on us humans (particularly the fleshy bits that we are known for). Enter Mechanization, the society-wide mandate dictating that all organic matter be chemically replaced by, well, machinery. The effect, I’m sure you could guess, is a world of robot people. Robot people that must answer to, among other things, Asimov’s Laws of Robotics. Cool right? Naturally, there’s always a few Negative Nancies that resist the process and ruin it for the rest of us (not really, tin can bodies are not cute).
Enter Baltimo and Alix, two organics whose bodies are somewhat resistant to the process (their minds aren’t too thrilled about it either) and who face the impending threat of forced surgical mechanization, which just doesn’t sound pleasant. On the precipice of total annihilation, holy scripture seems a whole lot less infallible and the pair abandon train(this is not a metaphor, they’re on a train) and run away to the anonymity of the big city. However before they make it half a step, they are fingered by both the authorities and the resistance. The first condemns them for their stubborn carbon fixation, and the second (comprised of both the Archeologists of Shadows and the Archeologists of Lights) seeks the pair because they may or may not be the foretold incarnations of the Alter-egos of the Gods. Consequentially Alix and Baltimo may be only beings who can speak to the Guys-In-Charge to ask them what the holy hell is up with all this Mechanization shit?
The art, which I mentioned in fangirl-passing earlier, is breath-taking. Truly. It really gives new meaning on usage of light…and shadows which, while serving the overall dichotomy motif they’re going for, helps create a beautiful and also a little disturbing environment with a lot of depth for our robot people to inhabit. Oh, and the robot people? Amazingly designed. Clarey discussed a bit of the process here, but I’ll mention that a great deal was derived from objects the artist had in his home. The effect was character designs that were eerily familiar and had a recognizable language.
I fell in love with Fuentes’ style and script. The very weird universe is never presented with a heavy hand, but is unveiled slowly and develops gradually. She manages to do this so masterfully that I was never once annoyed by too many unknowns that made what I was reading un-followable or bored by an unskilled dump of information. You’ll be captivated by Archeologists of Shadows from beginning to end: the end being a great place to start volume 2, which is also now available.
Wow, so that’s what writing a rave review is like? I have to say, it was nice.
Helpful links like where to download the entire first volume, where to read the first issue for free, and the Facebook page so you can like it and give this amazing title and team your support.