Recently, the news broke that the 1988 one-shot Batman arc known as “The Killing Joke” has been optioned for film by Warner Brothers. Sensational enough on its own, the news becomes downright confusing when you add the fact that the WB wants to make it R-rated. Here is my advice to the folks in charge of this project.
Stop Telling Stories About the Joker
The Joker as a character has been told and retold up, down and sideways. He’s swung from campy and gimmicky to psychotically killing when it’s ‘funny’ and back again. His portrayal has become murderous or insane for what seems like pure shock value. This trend in storytelling has moved in an increasingly disturbing direction, which has, as we saw in the case of Heath Ledger, become downright dangerous for the actors who portray the character. Not only have we already seen the Joker in films, television series, and video games at varying levels of seriousness and body count, but we are already promised yet another, grittier iteration from Jared Leto in the upcoming Suicide Squad film. It’s enough. If “The Killing Joke” is translated to film the same way it was told in comic format, it will be yet another Joker tale with disturbing violence and an added dose of misogyny. For this story to be original and interesting, it will have to be told in a VERY different way.
Stop Hurting Women to Make a Point About Men
Women are constantly being tortured and killed in media to bring pain or motivation to either the male lead or an associated male character. There is a term for it in comic spheres dubbed by writer Gail Simone called “Women in Refrigerators.” The term gets its name from the Green Lantern story arc where (spoiler alert) Kyle Rayner’s girlfriend Alex DeWitt is killed and stuffed into a refrigerator for him to find. The Spiderman films do it to both Mary Jane and Gwen Stacey.
Often these women are gathered up by the villain, dangled as bait, and either killed or saved. Their psychological journey is never explored as they either die or happily run off into the sunset with the man ‘hero’ who saved them (oldie but goodie, Audrey in Little Shop of Horrors). “The Killing Joke”, and Barbara’s role in it, are the perfect example of this trope. Babs is not the main character–she is a casualty meant to cause Commissioner Gordon pain and to show the extent of the Joker’s monstrous psychosis. You wanna do a “Killing Joke” movie? A movie based on a story its own writer has called “clumsy” and argued has “no important human information being imparted.” Fine. But fix all the problems with it. Make it an Oracle movie with flashbacks. Make it a movie about Barbara Gordon overcoming her trauma, not the Joker making a point by inflicting it. Make it a movie about women, not another movie where a man’s story is told by torturing or killing a woman.
Stop Sexualizing Violence
Forgetting Sarah Marshall made fun of this concept back in 2008: “I like how they mix the sex and the violence”, Jack Brayer’s character explains to Jason Segel, of the show for which Segel’s character writes background music. The joke has only gotten less funny as it becomes more prevalent in our mainstream media with each year. Sexualized horror and violence have been present in media for decades, it was rife in 1960’s and 70’s z-list exploitation cinema and European vampire flicks. But that was 40 years ago. As of 2011, characters in Teen Titans, known for their normally chaste behavior, become possessed by the devil-like Trigon and try to seduce their teammates. You still have characters subjected to sexual violence for the sake of shock and awe. Things need to change.
The violence has left the silver screen and somehow crept into our televisions far beyond Teen Titans, on shows like American Horror Story and Game of Thrones. These franchises draw you in with oversexualized marketing and content. For ages, comics have done the same. Violence is frequently sexual in nature, women victims are sexualized and objectified by the camera or illustrators while being tortured or murdered. These are shock tactics and it’s all old.
Much of the brutality in “The Killing Joke” is sexual, having to do with Barbara’s prolonged nudity following her paralysis and the Joker taking pictures of her body while she bleeds out on the floor. In order to make this tale into an R-rated film, the sexuality and nudity will likely be downplayed or removed…or will it?
Here in America, the rating system is much more critical about sexual content (and language use, for that matter) than violence and gore. Breaking Dawn Part 1 was edited so that Edward’s butt had “less crack”, and music was added instead of the sounds of love making in order to make the sex scene “more appropriate” for younger audiences. All the resulting bruising, and the violent way in which Bella’s body changed with her half-vampire spawn, was left in. When movies are edited down to make them fit into a certain rating, the last thing anyone considers is the violence and gore. This results in a toxic message, allowing violence against women but not allowing them to experience pleasure.
An R-rated “Killing Joke” as is won’t do anyone any good, except the Warner Brothers producers with the purse strings. The story it tells, whether it’s for the good of the Joker or for establishing Oracle, is much better fitted to an NC-17 rating so that the psychology behind the plot can be properly explored. Unless they’re willing to change it. All of it.
Stop Making Movies without Asking Why.
This brings me to my final point–which is why are we making a “Killing Joke” movie in the first place? What’s the new angle being explored? Why are we so desperate to understand or justify our villains, fictional or not? Shows like Dexter, Breaking Bad, and Bates Motel are just the tip of the iceberg. For decades now we’ve poured over the story of Bonnie and Clyde to the point that there was a musical written about them. Gregory Maguire, author of the now blockbuster musical Wicked, spent a chunk of his novel-writing career justifying the villains in folklore and fairytales. Why. Do we. Care. They did bad shit–instead of glorifying or sympathizing with these villains motives, why don’t we start asking how we can stop them from doing what they did in the first place?
Why don’t we show the strength of those who survive their villainy? Why do we love hurting women?
My Final piece of advice: STOP. DO NOT MAKE THE KILLING JOKE INTO A MOVIE
Jen Schiller
Jen@sub-cultured.com
Twitter.com/Jenisaur
REVIEW | The Batman Who Laughs – #1
REVIEW | Doomsday Clock #4
Review | The Lost Path by Amélie Fléchais
Emerald City Conversation with Jen Wang
REVIEW | Doomsday Clock #2
Top 10 Comics of 2017
I love Barabara Gordon’s new look and creative team. I also really hate it.
If you’ve followed my writing before you’ve probably become well aware I am very passionate about Batgirls. Why? I don’t even know exactly why, but the mantle of Batgirl and its many wearers strike me a certain way. They mean something to me. So whenever something comes up regarding them, I tend to pay attention.
The announcement from DC last week that Barbara Gordon would be receiving a new creative team and direction on issue #35 with Gail Simone off the book and the book getting essentially a softboot was a surprise to say the least. Bringing on artist-writer Cameron Stewart and Brenden Fletcher for writing duties and introducing (the aptly named) Babs Tarr as artist and along with them a brand new, lighter toned direction is a welcome relief.
Gail Simone on Batgirl was a clunky and depressing affair. Extremely close to the character, Babs being her childhood idol, but heavily shackled by editorial mandates and crossovers, Gail’s Batgirl was exceedingly dark from the get go and an exercise in intense naval gazing. The title did not move anywhere really, rather swam in circles when it came to ridiculous narratives and Barbara’s character growth and even worse villains. Babs being angrier and more reckless gave some actual interesting moments but her return to a mantle she supposedly “was meant to be” cost her losing her entire network and tech skills in the process despite being well old enough to have them.
The sudden descent into darkness I’ll assume was to distance the title and mantle from the generally lighter Stephanie Brown Batgirl that proceeded the reboot. This change back to Babs and making her walk again drew in huge numbers at first; but the title has been shedding readers more or less monthly now that the mystery behind her surgery has faded and lies unresolved and she’s become just another C grade street level operative for Batman. It’s stayed steady, but it’s become a decidedly tepid mess.
Behind the scenes conflict involving an email firing (and rehiring after fan outcry), contention over the fate of Alysia, Bab’s roommate, and Gail now leaving over additional creative differences seem to reinforce a rather contentious process with editorial. Whatever happened it did affect the writing and it’s a shame that Gail Simone, who often wrote Oracle so well, in Batgirl made Babs rather unlikable and the character stagnant for nearly three years. Not to mention introducing the worst version of The Ventriloquist to date making me beg for Peyton Riley. The book was a disaster and it did need a change. Would Gail Simone’s run, had she had full creative control been more balanced and fun and energetic? Possibly. But that’s unfortunately not what we got.
Now, moving forward, the new direction? I’m not that thrilled. While well designed, adorable, practical, modern, and everything I could have ever ask for in a Batgirl title, like seriously the team, the costume, the art, everything is A++, but it just reads…too young. It’s amazing. But not for this Babs, the same Babs that supposedly is still running around in her own title and in Eternal. The Babs that has been Batgirl again for the past three years. The Babs that is a mess, but firmly an adult.
Now I’ll wait to deliver final judgement until after I read it; she may come off as older since a plot point is that she’s seeking out grad school, and who knows, she may be more tech savvy and use her cell phone to hack things (a guy can dream) but visually, the artwork and the cute no-budget cosplay ready styling is much too teenagery. It’s an urban rookie look that would fit Harper Row, Steph Brown, and Charlie Radcliffe. It looks like a great Year One costume. In fact; if this was literally a Year Two mini or series or a stand alone Batgirl AU, I would not be complaining or bat an eye as she looks 16-18 years old. This is literally what Misfit would have looked like had she indeed became Batgirl.
This new look is obviously deliberate; Batgirl and come this fall Gotham Academy will be two specific titles that break DC’s current house art style; DC is after Ms. Marvel readers, and are, I’m guessing, like Marvel, starting to experiment with some younger demographic pandering in their main line. This is GREAT. It’s long overdue, and I think one of the smartest moves they’ve ever done. But it’s three years too late in regards to Babs. It will work; but it’s disappointing.
I understand if during the switch from Stephanie back to Babs, had Babs, having been de-aged, suddenly had a book with a similar younger tone as this will have, it would have made people upset and had been a bit weird. I understand why they would ask Gail to write a more “edgy” book after the switch.
However, had this version of Batgirl come out three years ago as the first wave of the reboot, I would have been fine with it. I would have been hurt as I enjoyed Stephanie as Batgirl, but I would have believed this version of Babs as someone who had been Batgirl for year and then quit and then was paralyzed and now is back. She’s younger, she’s back to basics and trying to get back into it and make sense of what she was doing and is doing it alone without Batman’s help. That would explain the low-tech urban chic. It makes more sense than the literal Green Lantern alien reject armor they put Babs in if going that route of Babs being literal square one and doing it alone. But they didn’t start from square one per se; Babs’ high tech armor is the smart thing to wear if you’ve had a nearly fatal injury that was (lazily) healed with no full explanation along with the disclaimer that it could be reversed at any moment. Now she’s going to wear a leather jacket…with I’d hope kevlar and a metal plate underneath at the base of her back. Being a member of Bruce’s menagerie should mean you never need anything, especially with a “Bat” in your mantle name, and your costumes should be properly armored for one who is at risk. Unless she’s just fully able now and that’s a whole other can of worms.
Essentially, while super well intentioned and by all means a wicked concept for an AU or a totally new canon; they’ve effectively taken away all of Babs power with this new plainclothes version. She appears like a contemporary to the returned Stephanie Brown over in Eternal, who if following tradition of being a year older than Tim, should be 17 and only a year younger than she was when she was Batgirl. If you’re going to make Babs a young hip green thing with a young hip book, you should have done that from the start, or otherwise should just have kept Stephanie Brown in the mantle and given her this same team and a slight costume tweak with the reboot, because she was literally the same thing as this; the difference is red hair. Why shoehorn one character into a role with this tone when you already had what you were looking for. What makes Babs so good as Batgirl when you take all that was unique about her (technology savvy) away?
This may seem like sour grapes, and I guess in a way it is; but it brings us to the broader picture; Babs has been stripped down back to her most basic and elementary of roles since the reboot. They’ve dismantled a juggernaut.
Since the reboot and deaging of about three to five years (I never thought her much older than twenty-five to twenty-seven) they cut out Oracle, the positve height of her narrative arc, but kept the negative story The Killing Joke. By cutting Oracle in any form, even a watered down temporary version at any age, they loose a leader for The Birds of Prey, or at least a solid ally. They also removed any concept of her being a mentor or big sister figure via the additional gutting of the two subsequent Batgirls and Charlie. Gone were the big connections, her role in the Justice League. I know the history is no longer there for her to a be a part of; but that kind of presence could have been reinvented in a smaller but by no means meager scale. A small time hacker who ended up outsmarting Batman; he has her join and she becomes Batgirl. It’s not hard to have allowed Oracle to exist even in the most casual of ways. Give her something other than Batgirl to this woman’s name!
DC has been additionally extremely anti-intellectual with Babs; any any sort of associated visuals that associate her with her former bookworm personality seem to generally be scrubbed; she no longer wears glasses (to my knowledge) and has been generally without much technology. What’s left is just…Batgirl. And Babs was never just that.
She’s regressed. And the way DC plays with Babs is something that would never happen to Dick Grayson to the degree that it has. They would never send him back to being Robin in main canon. To square one. It “doesn’t make sense”. Sure they just “killed” Dick and sent him packing to be a super spy with the kick ass new version of Helena Bertinelli, but that’s just it; Dick generally stayed the same post-boot in terms of experience and he’s now a freaking super spy. To give Gail some credit; at least her Babs and Dick seemed like equals. Now Babs does not seem to be on the same level as him; not with her new costume. She looks small time. And people are following suit; fanart of the new costume has Babs indeed looking again like a teenager.
I hope the writing for this new book is good and that they bring back elements of Babs that have been lost since the reboot. Because in contrast, if you look at it, most of the Bat boys received “upgrades” (whether they actually improved them is debatable) to their base stats with the reboot: for instance Jason has been given additional mystical martial arts and magic training once he came back to life. While Tim Drake was absolutely murdered by his new origin, he was also written as an Olympic level gymnast from the get-go. Tim no longer had to work so hard to fill the Robin boots. The boys get +1’s and made it through (until they killed Damian and admittedly ran Dick through a meat grinder), while all the girls in the Batfamily were cut down and leveled.
Sure Helena Bertinelli (in some manner of speaking) and Stephanie Brown have come back into the fold. And DC has done a good job in expanding the family with women; Harper Row as Bluebird, whatever Carrie Kelly is destined for, Steph, Julia Pennyworth, Babs as Batgirl, Catwoman, and both Helenas at the periphery by association with Babs and now Dick ironically populates the Batfamily with more girls than there were before the reboot (if you sort of ignore the loss of shared Batfamily and BOP members like Misfit and the original Helena B, and of course Cassandra Cain). I will give this book a chance. I want it to do well, because it is perfect. I read they are aiming for more standalone issues and that is something I’ve sorely missed. I hope the circuit board pattern overlay on the one piece of art they released means something. But that doesn’t negate the fact that Babs, who became one of the most important and powerful characters in DC canon, is now just a literal urban crime fighter. With rubber yellow boots.
But I guess she’ll look cute.
Max Eber
Staff Writer
Twitter: @maxlikescomics
REVIEW | The Batman Who Laughs – #1
REVIEW | Doomsday Clock #4
Review | The Lost Path by Amélie Fléchais
Emerald City Conversation with Jen Wang
REVIEW | Doomsday Clock #2
Top 10 Comics of 2017
One of my very first memories, from when I was (I think) 4 years old, is of playing in the backyard of one of my best friends: I was Batman, and she was Batgirl and we were chasing dragonflies around. (Not a terribly Bat-thing to do, in retrospect, but I plead the ignorance of youth, as I so often do.) When I’d watch the Adam West Batman show, which I loved, when Batgirl’s motorcycle would race across the screen at the end of the title sequence, indicating she’d be in the episode about to air, my heart would beat faster. I’ve always had more female friends than male, ever since I was just a kid, and somehow Batgirl figured into that entire thing.Since I now have four daughters with the greatest woman in the world, and am fully aware of how superior the female of the species is, my love of Batgirl just comes naturally, I guess. I mean, seriously: Batman + female = how great is that?
Huh! Interesting. I’ve never thought about it before, but off the top of my head: in my own AU, there’d be Batman, and then there’d be the rest of the Batfamily. Batman would usually–but by no means always–operate solo, although he’d frequently request/accept the assistance of one or two of the others, with occasional instances where they’d all collaborate for an operation. Nightwing would be the (almost) unquestioned unofficial leader of the rest of the Batfam, which would also have Tim, Cassandra, Stephanie and of course Oracle. The Helena Huntress would be somewhat on the periphery, often part of the gang but just as often not, with the relationship at least a bit tense.
I think they have a very strong understanding. I think Gen Y and Millennials are very aware of the forces, whether governmental or corporate or simply societal, affecting their lives. They’re aware of what and who manipulates them, or at least is trying to. I think they know what they want and what they don’t want, and are aware of their own internal contradictions better than previous generations, and they understand those in power far better than those in power understand them. Of course, I could be wrong. :)I joined tumblr I don’t even know how long ago. Three or four years? And many, many months would go by when I’d even forget I had a tumblr–I think I seriously went like a year and a half between visits once. But at a certain point, I started following enough people that the energy really started to draw me in. I didn’t get tumblr for a long time–it seemed like the worst of Twitter plus Facebook plus good old-fashioned blogging. It took me quite a while, and finding the correct (for me) combination of people to follow, for it click. I’m still not very good at it, honestly, but it’s definitely my favorite of the various social media platforms.
See you all real soon
Max Eber
max@sub-cultured.com
Twitter: @maxlikescomics
REVIEW | The Batman Who Laughs – #1
REVIEW | Doomsday Clock #4
Review | The Lost Path by Amélie Fléchais
Emerald City Conversation with Jen Wang
REVIEW | Doomsday Clock #2
Top 10 Comics of 2017
In lieu of the recent events in Newton, CT and China within the past week and with Christmas next week, I decided I should talk about kids and also direct people’s attention towards a project that needs your support and could use a boost of holiday magic. The world is not a great place at the moment, and not just in the US and China. The Middle East is not great for children right now either. But there are ways people can help and spread a bit of goodness and warmth where it matters. Those little bits add up. And in this case, you can do it dressed in your favorite costumes and as your favorite characters.
The project in need is called Project Pixie Dust. It’s a cosplay based initiative meant to help encourage children and teens , around the world with hydrocephalus, a brain condition, to feel a bit better while living with the currently incurable condition. The project was started after Tina, the founder, who has hydrocephalus, had a touching and sympathetic meeting with Aladdin and Jasmine cast members during a trip at Walt Disney World.
The two, in character, ended up speaking to Tina for over 15 minutes, genuinely interested and engaged after Tina divulged her “Genie wish” to find a cure for her condition. Tina was so touched by the experience, but she realized that many families and thus children with hydropcephalus cannot afford to go to Walt Disney World or Disneyland and experience that same magic of favorite characters speaking directly to them about their condition and giving warm words of encouragement and support. It is also a lot to ask people to record people in the parks. She explains on the project’s official tumblr blog:
What’s stopping me from doing this? Why can’t I take my own videos in the parks? How amazing would it be, if a parent could show their child a video of their favorite character, talking to them? How many kids could say that Peter Pan knows what their brain condition is, even though the kids at school don’t?
She thus has put out a request for cosplayers of Disney characters, Harry Potter, Star Wars, Marvel (X-Men, Avengers, Spider-Man etc) and DC Comics (Superfamily, Batfamily, Wonder Woman, Flash, Green Lantern) and characters from Cartoon Network and Nickelodeon shows or from well known anime (I’d say like Ash from Pokemon) and Nintendo videogames (Mario, Luigi, Peach, Link, Zelda, etc) to make an inspirational, sweet video message, in character, for these kids. From Tina:
The video’s wouldn’t focus on a cure, mind you — the condition is incurable. We don’t know if there will ever be a cure, it can be caused by so many things.
We don’t want to give anyone false hope. That isn’t helpful.
Rather, inspiration. Happiness. Maybe some motivation to get through a tough time. Just a sweet, inspiring message.
Tina has in particular openly requested or put emphasis on the search for well known X-men character cosplayers, who as mutants also have like these children, “incurable” things different about themselves. Tina explains kids can relate to them quite a bit, especially Rogue, who in the movies was bent on finding a cure for her powers. They are also looking for Barbara Gordon as Oracle cosplay as a shining example of someone having a disability and yet not giving up because of it, and flourishing as a person under the Oracle moniker.
As of this week, from what I can tell, the project has yet to receive any videos and, for something that would take a few minutes to record , I am surprised. Cosplayers, you love dressing up, you love playing the part. Why not actually be heroes? Do you think you can afford a few minutes of your time and support this project?
I am a firm believer in doing the right thing, and when it comes to kids, I don’t joke around. I myself am not a cosplayer (though I would love to cosplay Balder from Thor one day, he’s the only hero I can find that I look anything like) but I know many people are, and are brilliant at what they do. Please, if that is you, and your characters are appropriate please check out Project Pixie Dust and contribute. I can’t think of a better time than the holidays to do just that.
For more information about this wonderful idea, you can contact Tina here at her tumblr or email her at ProjectPixieDust@gmail.com
Other info for Project Pixie Dust: