Mine! is an upcoming comics collection where the proceeds go to Planned Parenthood. From stories about everyday people to fantastic adventures, Mine! celebrates and defends Planned Parenthood in a book that can live on in our homes, libraries and the halls of Congress.
With states trying to sell women “rape insurance” and inhibiting access to healthcare, something like Mine! is definitely needed to help keep Planned Parenthood funded. There is a Kickstarter campaign going on for the next month to make the project a reality and they have some phenomenal big names and talented indie creators contributing an original story. Pledges range from digital copies to copies for your library to original art. If you have a moment, view their campaign video and the full press release below!
PLANNED PARENTHOOD AND COMICMIX L.L.C. TEAM-UP FOR MINE!,
A COMICS COLLECTION FUNDRAISER
ComicMix Editor-in-Chief Mike Gold today announced the forthcoming publication of a graphic novel of
original short stories to celebrate the important work of Planned Parenthood. The volume, to be edited
by Joe Corallo and Molly Jackson, will be published this fall in celebration of over 100 years of Planned
Parenthood.
Mine! will feature the work of Neil Gaiman (American Gods, Sandman), Gail Simone (Wonder Woman),
Yona Harvey (Black Panther), Gerard Way (My Chemical Romance, Umbrella Academy), Gabby
Rivera (America), Amber Benson (Buffy the Vampire Slayer, The Witches of Echo Park), Mara Wilson
(Where Am I Now?: True Stories of Girlhood and Accidental Fame), Mags Visaggio (Kim & Kim),
Andrew Aydin (March), Frank Conniff (Mystery Science Theater 3000), Yuri Lowenthal (Ben 10),
Brittney Williams (Patsy Walker A.K.A. Hellcat!), John Ostrander (Suicide Squad), and Jill Thompson
(Wonder Woman), among many other top comics creators.
Project Co-Editor Molly Jackson said, “Planned Parenthood is a vital resource for women and men from
all walks of life, providing needed health care and support to millions of people all over the world. We
are proud to do whatever we can to bring attention to their amazing work.”
Co-Editor Joe Corallo said, “The comics community is built on freelance labor that relies on the kind of
access to healthcare that Planned Parenthood provides. We’re thrilled to see such a diverse group of
people in the comics community coming together to support this essential cause.”
A Kickstarter campaign to help finance printing and distribution costs is expected to launch August
15th, 2017. Mine! will be available in bookstores, comic book shops, and electronically all over the
world.
Planned Parenthood is the nation’s leading provider and advocate of high-quality, affordable health
care for women, men, and young people, as well as the nation’s largest provider of sex education. With
more than 600 health centers across the country, Planned Parenthood organizations serve all patients
with care and compassion, with respect and without judgment. Through health centers, programs in
schools and communities, and online resources, Planned Parenthood is a trusted source of reliable
health information that allows people to make informed health decisions. We do all this because we
care passionately about helping people lead healthier lives.
ComicMix, LLC publishes a line of graphic novels by some of the best new and established talent in the
industry. ComicMix Pro Services works with creators to produce, publish and market their work in a
highly competitive marketplace. In addition, ComicMix runs one of the Internet’s most popular comics oriented
pop culture opinion and news sites.
While I was experiencing sensory overload at New York Comic Con, I had the luck of speaking with Gail Simone. We briefly discussed the Valkyries (“thanks for doing what you do, you guys are great!”), and what it’s like being a retailer (I love my job, and it is at times full of challenges), before our conversation turned to people new to comics.
LC: One of the first things I wanted to ask you is what you would recommend to new readers? Like, is there anything that you’re currently reading that you’d recommend?
GS: Well – laughs – for me, it is all about what people are interested in. You don’t want to recommend a horror comic book if someone doesn’t like that genre, but I think there’s some really great things that appeal to wide audiences like Saga, then we’ve got Lumberjanes, a good “entry-level/reading your first comic” type of story. There’s so much out there and there’s gonna be something they like based on what they’re watching on television or playing. With that, you’ll get the greatest success – someone else enjoying comics.
LC: That’s true! I love that feeling when you recommend something to someone, only for them to come back and ask for MORE. Speaking of fans, what’s your favorite fan response to something you’ve written?
GS: There’s been a couple of really cool things, and some of them center around cosplay. One of them is I was at FCBD in New Hampshire, and they had the Batcycle there, and we’re doing some photo ops and stuff, so I get on the bike, and all of a sudden I’m surrounded by all of these lovely, talented ladies dressed as female characters that I’ve written, so it was really amazing to feel and see that type of support and celebration. It was one of the happiest days and really stood out in my mind.
LC: What about on the negative side of things? I’m sure you’ve seen your share of criticism.
GS: You know, I had someone stand in line once and he comes up and says, “I don’t know you, I’ve never read any of your work, but I can tell from what my roommate says, that you hate men.” I was just kinda like, oh, okay, I didn’t know that, but thank you for telling me, so you know sometimes stuff like that happens, but it’s not very often anymore.
LC: That sounds….like a lot of energy to waste. – laughs-
GS: Yeah! -laughs- No kidding!
LC: Switching subjects here, I just read Red Sonja…at my store, we have Ladies Night, and it was one of our recommendation books with Black Widow, and I want to know if writing her affects your life for a little while, for example, after you get through writing an issue, are you in that warrior sort of mindset, with your voice raised, arms in the air, -barbaric yell- wielding pens/utensils as a sword?
GS: -laughs- When I’m sitting down to write Red Sonja, it goes kinda like this, because I love her character so much, and I love having the opportunity to bring new sensibility to her, so I’ll sit down and say, okay, I’m only going to have time to write a couple of pages in between doing these other projects, and I look up, and it’s twelve pages later! It’s that kind of thing. I get so lost in the story and what’s going on with her and how badass she is. I just completely lose track of time, which is unusual for me. I watch the clock a lot.
LC: I can only imagine. I’m sure it helps switching gears, especially since you have so many, varied projects going on.
GS: Yes! That’s why I like having so many different ones, in tone and style from each other, because if I was writing the same thing, it’d be so boring to me. Getting to exercise my horror side, or my funny side, or the more heroic side, it’s what I love about writing comics, to have that variety.
LC: Totally makes sense! Growing up, I read some of my dad’s Robert E. Howard books, and had my first brush with Red Sonja that way, and I just want to thank you for doing the reboot of her rape origins into something with more meaning. Strong characters do not have to stem from rape.
GS: Yeaaaah, that’s kind of a trope.
LC: An annoying one.
GS: It doesn’t really read very well in this day and age, and it was one of the conditions of me writing the character. We needed to lose that, and that she couldn’t sex with anyone unless she bested them in battle. That takes away a lot of choices, and to me, it’s not the way to prove her strength.
At this point, our time was running out, so I steered our conversation to the most important question of all.
LC: The fact that you’re a gamer is pretty widespread, is a Red Sonja game something you’d like to see come to fruition?
GS: Can you IMAGINE!? A game in that WORLD?
LC: YES. YOU COULD BE A TOTAL BADASS AND WORK YOUR WAY FROM THE BOTTOM AS THIS RAD WARRIOR.
GS: Especially if they had Smell-o-Rama, cause one thing I love about writing barbarian stuff is that it’s all in the dirt, and in the mud, and in all the elements, and it’s completely grounded, the opposite of superhero stuff. It’d be a blast, and I’d play the hell out of that!
Our time at an end, I bid goodbye to Gail, and made a beeline for the Dark Horse merch line as there was an Avatar: The Last Airbender item with my name on it. Many thanks to the great guys at Dark Horse and Gail herself for taking the time to speak with me!
(Please note: this blog is actually from an alternate universe created when Gail Simone speculated on how comics would be different if Stan Lee had been a woman. IHO Geek’s New Age Amazon has used her powers to copy and paste this from the AU version of our site. The images, however, are all her own. She regrets nothing.)
Okay, okay, you can stop the hatemail.
Not because I’m going to change my mind on this, far from it. But because all you’re doing is making yourself look stupid, boys.
You have to accept that you are in the minority here. Comics are a girl’s world and we’re not going to change just because you start bellowing about “equality.” You know what there’s no equality? Because comics aren’t for boys. They are for girls and so that is the audience the writers and artists will attempt to appeal to.
And so, that’s why I’m calling for fewer Fake Geek Guys and more Booth Beefcakes.
I am sick and tired of running into guys at cons who can’t name four Green Lanterns (cheat sheet, fellas: Halle Jordan, Gail Gardner, Joan Stewart, Kylie Rayner). It’s obvious you’re only at the con to pick up geek girls and ruin our good time. That was bad enough, but now you actually have comics PANDERING to you, with Brianna Wood being FORCED to write an All-Male X-Women team. I mean, a fantastic writer reduced to a marketing stunt just to sell you comics? Ugh. THANKS, GUYS.
As if that’s not enough, you have issues with Booth Beefcakes. I’m sorry, the cons aren’t FOR you. They’re for REAL comic fans who understand that this is just the way comics ARE. Look, you guys have Dale Simone to write your Batboy books, aren’t you happy, yet?
Anyway, Booth Beefcakes are totally compliments. We LIKE attractive looking guys, why shouldn’t we be able to oogle them just because it makes you uncomfortable? If you’re uncomfortable, DON’T COME TO THE CON. Trust me, you won’t be missed. One less fake-glasses-wearing dude who only knows Iron Woman because Sandra Bullock played her in a movie or Batgirl because of Anne Hathaway’s take on the role. Seriously? Sick of it.
At least the Booth Beefcakes generally know things about the characters they dress up as. And even if they don’t, who cares? I mean, my ONLY issue with them is how pissy some of them get when you grab their asses. Hey, honey, don’t leave it hanging out there if you don’t want attention. You dress like that, you’re gonna get touched and you should expect it.
So go ahead and whine about how Wonder Man hasn’t gotten a movie yet (because nobody wants to see movies about SUPERHEROES, okay? Nobody CARES) or bastarding on about how Starfire is drawn in his book. This isn’t your culture, it is ours and you’re welcome to deal with it or get the hell out.
The Beefcakes, however, can stay.
–Ashly is a dimension hopping mutant who constantly hopes that the next leap will be her leap home. She can be found on twitter @newageamazon
If you’ve been online at all today, odds are you heard the sad news: as of last week, Gail Simone was notified, via e-mail, that she is no longer the writer for DC’s Batgirl title. Bleeding Cool put the news out there and Gail herself confirmed it via twitter:
On Wednesday of last week, new Batgirl editor Brian Cunningham informed me by email that I was no longer the writer of Batgirl.
— GailSimone (@GailSimone) December 9, 2012
She also talked about making a boat out of marshmallows, which was honestly a much more pleasant conversation.
The point is, Gail Simone isn’t writing Batgirl anymore and this has caused the internet to have FEELINGS.
So, it falls on me, in my first piece for IHO Geek, to help you, loyal comic fans, learn how to survive in a world without Gail Simone on Batgirl.
First, I want you to know that the grieving process has several stages. It starts with denial. Then comes anger. Anger leads to Hate, Hate leads to Suffering, Suffering leads to the Dark Side.
I should at this point remind you all that I am not a licensed therapist and no one should ever take any advice I’ve ever given at any point of time. That was your disclaimer, folks.
Anyway, look, it’s natural to be angry about this. DC drops the writer of, as Bleeding Cool put it, “the best selling female lead comic in the North American comics industry.” And considering the uproar we female comics fans have been making it comes at a shocking time. And it was done VIA E-MAIL, which just has “asshole” written all over it, right?
Being angry is okay. But keep in mind a few facts:
First, we don’t know the whole story and speculation can only take you so far. While we’re all curious as to why this happened, we don’t know and may never actually know and we might have to live with that fact. Let’s not throw around hate and accusations, because honestly it probably won’t do much good. Actually, the best thing you can do is vote with your dollars: send a message to DC by no longer buying Batgirl after Gail’s last issue (presumed to be this January).
Second, let’s not turn on each other at this point. One of my joking responses to this whole thing on Twitter was to claim the fault obviously lies with “Fake Geek Girls.” I was being sarcastic, and I labeled it as such because with the way things are going, it felt like someone out there was REALLY thinking something like that and would REALLY agree with it. Gail Simone has been a defender of geeks of all types and a welcoming and inclusive figure in the internet world of comic geeks. Keep that in mind and don’t attack each other.
Third, and most importantly, let’s keep our reactions in proportion to the issue, hmm? I mean, while it might seem like a good idea to attempt to burn down DC’s headquarters over this whole ordeal, that is, apparently, illegal. Or so I was informed by the very nice NYPD officer I met this summer after the whole Steph Brown kerfluffle from SDCC this past year. He was a very charming gentleman who used very soothing tones with me and my only complaint is that he did not return my lighter after it was all said and done.
And really, Gail’s responses to all of this have been positive. Her Tumblr post thanked her co-workers and fans for their support and she seems positive about the future. Which makes sense, after successful runs on titles like Birds of Prey, Secret Six, Wonder Woman and more, it seems pretty easy to accept that we’ll be seeing Gail’s name on covers again soon. If not from the Big Two, then definitely in more indie titles. After all, she did recently run a successful Kickstarter campaign for a self published title with Jim Calafiore, Leaving Megalopolis.
Gail, we wish you the best in your future and look forward to whatever adventures you’ve got planned for us.
Also, seriously, say the word and I will burn DC down to the fucking ground and salt the scorched earth left behind so nothing will ever grow there again.
On Friday, the 13th, DC Comics announced that Nightwing’s introduction in the Smallville universe was going to be changed slightly. Prior to their announcement, Bryan Q Miller writer of the current Smallville series as well as the pre-52 Batgirl series, announced that Stephanie Brown would be the girl behind the mask this August. Stephanie fans alike were overjoyed as the former Batgirl has all but vanished from the pages of DC since the DC relaunch back in 2011. It wasn’t long after, however, that rumors began to spread that it wouldn’t be Stephanie, but Barbara who would be introduced as Nightwing. When asked if Stephanie would be Nightwing DC Vice-President of Marketing, Brian Cunningham said: “The first rumor wasn’t known by us, and I have not heard of the second in the halls of DC, so I can’t comment.” Of course, the line came off as complete bull as not only was there official art released, but Miller himself commented on previous announcement, stating “I felt like I couldn’t get any deeper into this without having Stephanie somewhere. This is the Stephanie that people who read Batgirl came to know and love. Not much of her has changed. She’s just wearing a different costume. Choosing Nightwing as opposed to Robin just seemed like the nice kind of take we’d have done on the show so it’s not exactly the same thing as the comics because there are a bunch of other comics where you can get that. We’re doing our own take, which isn’t too far from, in quotation marks, ‘how it’s supposed to be,’ but it’s our little corner of the world.”
Red Hood and the Outlaws writer, Scott Lobdell cued in his two cents when the fan pointed out the art and said (smugly), “Are you going to believe art, or are you going to believe us??” *cough*dick*cough*
The next day Dan Didio ended all speculation, officially announcing that Barbara Gordon would be chosen because,”If we’re going to introduce a character into the ‘Smallville’ world, I want them to be the most iconic versions like Barbara Gordon or Dick Grayson, and maybe down the road we can do more.” Because Smallville is of course famous for choosing the iconic versions of their sidekicks, right? Well, except the first Impulse/Kid Flash they chose was Bart Allen. Oh, and Speedy was Mia Dearden, not Roy Harper Jr. Sounds fishy, right? Well it turns out, according to Gail Simone, that the excuse given by Dan isn’t quite so accurate.Gail recently stated on her twitter: “Today, Bryan told me it was his idea to use Babs, when asked to replace Steph.”
What does this all mean? It means that DC simply didn’t want Stephanie Brown to be in any of their comics. That’s it. There was no actual thought that Barbara Gordon would draw in more people, in fact there was no thought of anything other than ‘We don’t like Stephanie.’ Why DC? Why do you feel characters like Steph, or even Cass, don’t belong on the pages of comics now? Well, according to Corrina Lawson at Wired.com, “The one conclusion that is certain is that whatever was said publicly, it is clear DC Editorial in New York simply does not want Stephanie Brown to appear anywhere. Checking around with several sources, I was informed both Steph and former Batgirl Cassandra Cain (now known as Black Bat) were considered “toxic.”
As much as I hate putting my personal feelings down on paper, this article really leaves me no choice. Fuck you DC editorial. We know there are fans of Steph and Cass out there. Head over to Scans_Daily if you doubt me. It’s also known that DC writers like Gail Simone, Scott Snyder, and of course Bryan Q Miller want to bring Steph and Cass back into comics. So what is DC’s issue with these two characters? To be honest, it would just seem like somebody in DC comics with power simply dislikes them. It’s petty, and it’s stupid. However, it would look like that is all that is needed to have a character removed from continuity. Dan Didio has gone on record about his dislike for certain characters. One such character was Ted Kord, the former Blue Beetle. Is it any shock that Ted Kord, beloved comedy relief, was shot through the head? Is it any shock that he has been virtually written out of DC continuity since the relaunch? Didio attempted to do the same to Dick Grayson believe it or not. Luckily, for us, several writers pointed out that he would never get away with it. So who do we have to blame for the utter disappearance of Stephanie Brown and Cassandra Cain? Well I don’t want to point fingers, but maybe it’s the person who once said, “(Stephanie) was never really a Robin…”