The Untamed: A Sinner’s Prayer
248 PAGES
$29.99
Writer: Sebastian A. Jones
Cover Art: Peter Bergting
Interior Art: Peter Bergting
Colorist: Peter Bergting
Letters: Joshua Cozine and Troy Peteri
Publisher: Stranger Comics
Release Date: Nov 4th 2015
Indie publisher Stranger Comics is aspiring to create a universe on an epic scale. Their newest book Niobe: She Is Life was released to massive hype this month due to its creative team of actress Amandla Stenberg (The Hunger Games) and Ashley A. Woods (Milennia War). We stopped by Stranger’s booth at NYCC and picked up their gorgeous hardcover for The Untamed: A Sinner’s Prayer, a story of vengeance and jump-off world-building vehicle for the Asunda Universe.
Jones doesn’t deliver anything too new in The Untamed. Back from the dead on a mission of vengeance against those responsible for murdering him and his family, a cloaked Stranger returns to the town of his past sins and former life. Yes, we’ve seen The Crow. For an introduction to a whole universe however, the simple story sort of works and is easy enough to follow while more complicated world-building elements like trade disputes and magic are fleshed out. We did enjoy that the character of The Stranger had both a dark past beyond his vengeful present, which adds a little bit of depth in the reading and consideration of who you’re actually rooting for in this story. We cast our lot with Niobe, who makes more than an appearance in this series as a grounding compass for the demonic Stranger.
Ultimately, what hurts this book is part of its strength. Bergting’s painterly style is gorgeous and bold, but the monochromatic panels often limit just how much of the town of Oasis we can actually see. It’s hard to get a feel for this world at times, and some of the dialogue doesn’t quite sync with this seemingly medieval-type fantasy setting of Asunda. Perhaps a smaller complaint is the number of hooded figures-to-panel ratio in the book. The mysterious reveal of a cloaked character loses some of its effectiveness after the 4th or 5th time and at some point, we just want to know immediately who the heck is talking.
Still, it is an impressive effort from a new publisher, and we’re excited to see more of what Stranger comics has planned for Asunda and the universe. If you’re interested in picking up the hardcover, also know that it’s a beautifully put together book with a stunningly glossy cover and extra features like collected variants and some behind the script stuff.
Kaitlyn D
Content Editor
@deadrabbit92
The one thing I can definitively say about Sebastian Kadlecik, Lindsay Calhoon and John Bring’s “Penguins Vs. Possums” is this: I was not expecting that.
When I signed on to review the first issue of JBSK’s new series, which they funded through kickstarter, I was expecting something light, adorable, and fluffy in every sense of the word. Remember those comics that came out when Pokemon was still new, where everyone was named after a type of nut and everything was so cute you could vomit pure sugar? “Penguins Vs. Possums” is the exact opposite of that.
Cards on the table, I don’t often read comics, but you guys know that. My gut reaction to “Penguins Vs. Possums” was to keep not reading comics, but by the time I reached the end of the first issue I have to admit–I see a lot of potential. My problems are mostly with the story line and dialogue. The art of the book isn’t bad by any stretch; I’m even willing to forgive the one panel where two possums share a passionate kiss, so long as it never happens again. The only other offense committed on this front would be the penguins’ “battle gear”. Their goggles and silly helmets take a moment like THIS one (which should NOT be happening in the first issue, but we’ll get to that) from dramatic to down right goofy.
If goofy were the intended tone for the series, that would be perfect. However, what I can gather from the first issue is that “Penguins Vs. Possums” is written with heaps and heaps of earnestness. While the battle rages at the San Diego Zoo penguin enclosure, clueless people-folk ignore the kid who is pointing out the massacre. This humor is subtle enough to be passable, and balance out the extreme gravity of the battle itself, which is heavy on death and gore; but I just can’t get past the goggles.
The plot leaves a lot to the imagination, for instance there is no explanation of why the possums and penguins are actually fighting. They are not natural enemies, nor do they encroach on each others’ territories. The penguins live in the zoo, the possums are wild. There is no hint at the true meaning behind their anger and violence toward one another. Additionally, the main possum is apparently fulfilling a prophecy, because he leads an army into the penguin enclosure and gets a scar on his eye. But, he is a farmer possum, not a solidier, and he just wants to live his simple possum life with his pregnant possum wife. WHY, then, did he go into battle in the first place? WHYYYYY?
By the end of “Penguins Vs. Possums”, I was left with more questions than answers, and maybe that’s a good way to start off a series; but if you give your readers questions then you have to be willing to answer at least some of them. The WHY from halfway through became almost a battle cry of my own by the end, and if there were more issues of the series I would need some serious exposition in issue two if I were going to get hooked as a reader. I would also probably need a pair of those penguin goggles for myself. I think part of the problem lies within the fact that plot too often relies on classic battle story tropes. The farmer is destined to be the champion, the actual champion is disappointed, there are children on the way and blah blah blah. There’s also an imbalance between the amount of screentime given to the…uh…Penguins, versus the Possums. While we get to know a day in the life of a possum fairly well, we barely see anything about what it’s like to be a penguin at the San Diego zoo, besides dealing with entirely incompetent people staring at you all day. My final problem with the storyline was pacing. As I stated before, the first issue is jam packed with battles.
At the top of the story, the possums declare that they must take out the emperor, then by the end of the first issue, they manage to kill him with his own helmet. I don’t know about you, but if I was a possum at that point, I would call it a day and get on with my simple possum life. BUT THERE’S STILL THE PROPHECY! AND THE MYSTERIOUS POSSUM WITH THE EYE PATCH! AND THE BABY POSSUMS OF THE FUTURE! (I think. Maybe the simple possum wife got killed in the scuffle. I can’t really tell…). If issue two were to come out of “Penguins Vs. Possums”, I would probably give it a chance, but Brent, Calhood and Kalecik have some MAJOR ‘splainin to do if they expect me to stick around to issue three. A bribe in the form of penguin goggles would probably also work.
Staff Writer
twitter: jenisaur
Ninjettes
Story by Al Ewing and Art by Eman Casallos
An opening pedophilia scene starts this comic off with a bang and holy shit, am I glad I listened to instinct and pulled this off the shelf. Leather clad Varla is on assignment from an unnamed Senator but instead of making a murder seem like a death by natural causes, Varla slices her prey in half with her handy samurai sword. As Varla clues in the Senator of her completed work, the Senator’s daughter hears half of the conversation and bemoans her family’s dysfunctional nature to a friend who is disappointed her lack of funds won’t allow for her to have her own father murdered. The scene switches to Varla and two friends, discussing the fee (labeled cheap by one) and how things have changed since an event at a place called Kennebunkport. As one of the friends whines about her stationary new position (guarding someone’s adopted daughter), Varla receives a text from the Senator’s daughter wanting to talk. As she makes her way to the diner where they’re to meet, she rids herself of an annoying hobo chiding her for lack of motorcycle helmet. Kelly, the daughter, informs Varla that she’d like to do what she does: kill people for money. Varla hesitates momentarily, puts out her cigarette in the diner manager’s eye and bids Kelly to follow. As she lays down the rules to be an assassin, Kelly comes across her dad’s carcass in a freezer, ending the comic on a vomitous note. Ewing does amazing by keeping the story brisk and to the point and it’s a really enticing read.
Eman Casallos is an artist I’m not familiar with (something you’ll notice about me as I branch out into indie comics) but I like how he draws the ladies, particularly Varla. She’s sexy without being completely overdone in the breast area and she doesn’t have any spine breaking poses. The gore is a little toned down, but after Luther Strode, it’ll be hard coming across a phenomenal comic that is it’s equal….however, I have a good feeling about The Ninjettes.
Give this one a try.
Fearless Dawn
Story and Art by Steve Mannion
In case you’re barely tuning into the wondrous monster fighter that is Fearless Dawn, that’s pretty much all you need to know: bitch fights monsters (or zombies, but whatever). The scantily clad and ridiculously nippled Dawn and her sidekick Robin…er Masked Kid are seeking the treasure at the end of a map given to them by Old Lady Flannigan when they encounter a cross-eyed, weed smoking old pirate named Brownhole Jones. He gives Dawn a weathered locket that will protect her and off they go to the darkest part of the swamp where they come across a slimy looking cyclops. Lo and behold, the crusty locket causes Cyclops to explode into nasty, gooey bits and the masked duo traipse back through the swamp to give the locket back to Ole’ Brownhole. The rest of the comic is full of quick one-shots and original sketches, which are a nice touch.
Mannion seems to have fun with his characters and you can sense that he really enjoys the journeys Dawn and Masked Kid go through. I like that you can see it in each panel. I think my favorite bits are one of the little side stories in the back where Fearless Dawn “transforms” into herself.
I don’t think I’ll pick up more Fearless Dawn. Although it was enjoyable, it’s not really something I would pick up regularly. B-side horror fans, this is right up your alley!
Road Rage
Story by Joe Hill & Stephen King (Adapted by Chris Ryall) with Art by Nelson Daniel
I’m gonna start off by saying that I’ve wanted a team-up between father and son for ages. Ever since I first cracked open Locke & Key (a comic you SHOULD be reading) and then realized Joe Hill is Stephen King’s son, this has needed to happen. Thankfully, the seven gods have answered my prayers and given be Road Rage, a comic based on their short story, Throttle. I also love Sons of Anarchy so this motorcycle club based story delivered the crime filled intricacy I’ve come to expect. The story begins with a wife beater wearing young man named Race leading The Tribe, the club he runs with his father, Vince, to a small town to find money the invested in a meth lab that went bust. As Race and Vince argue about the path the club should take (Race wanting his money back and Vince wanting to just let it go), Vince notices a truck driver driving off, noting he may have overheard them, but oh well. The group head to a bar where Vince and an associate named Lemmy discuss the members, many of which Lemmy feels are going to leave as soon as they can. They’re both torn over what Race is going to do and they head back out, catching up to the same trucker who may or may not have heard the earlier conversation between Vince and Race. This irks Vince for a reason he can’t peg down but he pushes the thought away, finding comfort in the fact they’ll be leaving the truck far behind. It isn’t long before the truck catches back up to them and starts crushing the riders, one by one. As The Tribe’s numbers whittle down to five, Vince utilizes Morse code to signal the others to break away from the truck. Race, headstrong young chap that he is, fails to get the signal and the comic ends with the truck right on his tail.
I’ve never seen the movie that inspired this story, Duel, because it probably came out when I was a baby and didn’t know awesome from crap. I DO think Daniel does wonderous things at bringing these characters to life. There are no soft edges here but gorgeous line art and the sandy, dusty tones of desert. It’s rough and tough and I appreciate the added effect all of the art adds to the fulfilling story.
Pick this up!