Ever since Carol Danvers took the Captain Marvel mantle, the Ms. Marvel mantle she left behind has been empty. But no more, as part of Marvel’s “All-New Marvel NOW!” promotional and editorial initiative (more or less a prolonged soft reboot to their main universe) the Ms. Marvel mantle will be filled next shortly into the new year with the debut of a new Ms. Marvel title book. The titular heroine taking up the mantle will be new superhero Kamala Khan, a teenage Muslim Pakistani-American shape-shifter from Jew Jersey.
Coming February 2014 it will be written by G. Willow Wilson, (Air, Mystic, Vixen: Return of The Lion, Alif the Unseen) and illustrated by Adrian Alphona (Runaways, Uncanny X-Force).
Wilson is notable for being of the Muslim faith and is one of if not the most prominent Muslimah writer in monthly comics. She too, hails from New Jersey. The appointment of Wilson to the title is more or less a marriage made in heaven and follows a pattern Marvel seems to be making by appointing writers with the actual experience and know-how that correlate to the characters they are writing. This follows in the steps of appointing writer Charles Soule (Swamp Thing, Thunderbolts, Strongman) a comic writer and attorney (whodathunk) to write Jennifer Walters, the green powerhouse also known as She-Hulk who also is an active lawyer for a new solo title also returning next year.
Ms. Marvel and She-Hulk will be additionally joined by brand new female lead solo books new year for Black Widow, and Elektra. This added with the ongoing success of Brain Wood’s starring all female X-Men flagship title and a “second season” of Captain Marvel seems to reiterate that Marvel is truly making the effort to diversify and push their female heroes as well as taking risks. Their adoption or experiment with “seasons” for titles such as Young Avengers is a curious invention that is something to be watched. It is possibly a great way to keep titles fresh especially in the highly unstable and fickle comic buying market which will no doubt be changing greatly in the next five to ten years anyway. Additionally the appointment of more and more modern and stylized artists (who thankfully know how teenagers dress or just know fashion period) and a more sophisticated mod “house” aesthetic ushered in by the popular Hawkeye title have additionally made many of Marvel’s new offerings and cover art in particular very fresh, hip, and surprisingly experimental.
Marvel’s not perfect, but with their certain choices they seem to be at the least, aware of criticism of the medium and are making strides to rectify it. You’d think DC would notice by now what they’re doing (an Hourman TV show? Really?) is exactly the opposite of what they should be doing.
Now about Marvel’s 10000 Tony Stark and Wolverine books….
Max Eber
max@sub-cultured.com
Twitter: @maxlikescomics
A-Force #1 hits shelves May 20th
Dr. Lepore,
Allow me to preface this letter by saying your accolades and background are far and above my own, as I am but a woman in the comics industry, in particular a woman who manages a comic book store. I’ve carried your book, “The Secret History of Wonder Woman,” in my shop to great success, and I was interested to read your thoughts on A-Force, a comic that has my female customers absolutely excited to pick up.
I’ve never been so disappointed.
Aside from the glaring lack of research and absence of any actual insight from professionals in the industry, there are problems with your article that could have been solved with a simple Google search. For example, you state, “The A-Force is a race of lady Avengers, led by She-Hulk, who come from a “feminist paradise,” but I don’t know what that could possibly mean, because they all look like porn stars.” This isn’t the first time a hero like She-Hulk has come under fire for her appearance, and it certainly won’t be the last, but this is a problematic sentence. Without researching a little about She-Hulk, and learning she is in fact one of the most feminist heroes we geeks have, you reduce her (and based on your sentence structure, everyone else on the team) to a porn star, like they can’t be feminists or heroes.
Later, you liken the costume of the complex, three dimensional character of Pepper Potts to a shirt one would borrow off a boyfriend, even if that boyfriend is genius, billionaire, playboy, philanthropist Tony Stark, just because you can see the outline of her breasts. I wish that were the end to the disservice, but you then go on to claim Nico Minoru, a sorceress once considered for the Sorcerer Supreme, is lame, perhaps due to her fashion choices, and that Thor and Loki, just became women, when in fact Norse mythology is remarkably genderfluid. Is any of this apparent based on a first issue of a new series that is packed characters who, combined, have been in print for over 100 years? No. But what costume design or breast size would communicate any of that to a new reader or 4th grade boys?
Perhaps you were concerned with how much of female superheroes are drawn for the male gaze, which is a completely valid concern. Let’s talk about how to fix that. How do we reclaim She-Hulk from the fantasies of teenage boys, if that’s all a grown woman like yourself sees when she opens A-Force? I pictured She-Hulk as she is and turned an imaginary boob-dial in my head to reduce her cup-size… and my stomach churned. It felt like body-shaming a powerful character that I adore, and would adore no less if she had a different figure than the one she’s had for almost 25 years. I understand your superficial criticism, but not your implied solution.
There are definitely still strides to be made by Marvel in both its cinematic universe and comics themselves, in character costume and characterization, but the writers in mention, Joss Whedon and G. Willow Wilson, are doing something greater than “re-inventing” the female superhero. They are attempting to diversify the people we see as super heroes in our media. G. Willow Wilson, writer & co-creater of the latest Ms. Marvel, Kamala Khan, is responsible for a groundbreaking series that has been consistently breaking print and digital run records featuring a minority: a Muslim teenager. This series in particular marks the first time I’ve seen girls and women of a Muslim background even come into my shop, PURELY BECAUSE they can see themselves in Kamala. Let’s say the mother of one of these girls reads The New Yorker and sees the heroes Kamala is fighting alongside likened to porn stars. Do you see how this could be detrimental to something so good? Again, you harp on She-Hulk for not being an example of a “better female character” when Jennifer Walters is single-handedly a demonstration of “what women might be if they were freed from fears of judgment and the threat of physical danger.” She is an accomplished lawyer, a respected member of the Avengers, and secure in her appearance without having to sacrifice her sexuality, so tell me…how is she not one of the best female characters we have?
A-Force is marketed as a team of able superheroes of all ages, shapes, and sizes, and is something to be lauded, not ridiculed because they happen to have breasts. Do they not have identities? Do they not matter because their superhero moniker doesn’t have “-man” tacked on at the end? Sure, I’ll be the first one to agree that I wish their armor/costumes weren’t plastered to their perky boobs all the time, because the point that that is what Captain Comics and Mr. What took away from the issue at the breakfast table shouldn’t be ignored. Granted, pre-teen boys aren’t the biggest demographic purchasing comics in this modern age, but at least here I can agree that it’s unfortunate that their view of what women can be as superheroes is clouded by their cleavage size.
I had hoped there’d be some more mention of the plot, as America Chavez has also recently come onto the comic scene (and another girl of color, no less), and become a fan favorite, but it looks like your unfamiliarity with everyone minimized what was taken in, story wise. I urge you to judge our female characters less harshly in the future because the industry has come a long way since the creation of Wonder Woman, and I suggest you pick up a couple of books and become a fan through their stories, and not dismiss them for the skin they show. Most shops will have softcover copies of Ms. Marvel: No Normal or She Hulk: Law and Disorder, or hell, you can always tweet at the vast network of female comic retailers (@LCSValkyries), or myself, and we’ll all be glad to give you recommendations to broaden your appreciation of the modern female superhero.
Lastly, Jessica Rabbit’s iconic line is symbolic of the prejudice she is subject to based on her sexualized appearance. It’s ironic you use it in your article as a closing statement, where you’ve done the same to the cast of A-Force.
Sincerely,
Leia Calderon
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