District 9 was amazing. Can we all just agree on that? Neill Blomkamp hit the scene hard with that movie and so did Sharlto Copley as Wickum. It brought back the missing ingredient to science fiction. It brought back a message. It wrapped this message in a universe so fully fleshed out that one couldn’t help but to be swept away in it. It captured our imaginations and gave us one of the best modern finales to date. Expectations for Elysium are high to say the least.
Elysium begins it tale with Matt Damon playing a former criminal named Max in a future where Los Angeles has become a third world wasteland. Being a former criminal is a rarity in future L.A. as everyone seems to be up to no good. On parole, Max has found a job as a line worker in a military robotics factory called Armadyne. His job is to make sure the robots, who seem to be used in all facets of upper class life, are properly irradiated. His job sucks honestly, but Max is just happy to have it and that he is working towards a better life. His life long friend, and possible love interest, Frey has just returned to L.A. and has become a nurse. They are going to get coffee together.
Up above all this, lingering in the sky like an always visible moon (except six times larger to the human eye on earth), is Elysium, a space station that is very similar to the rings in Halo. They not only can sustain life, but are extremely luxurious. Elysium has its own atmosphere, rivers, trees, parks, but most importantly has med-pods capable of everything from curing cancer to regenerating body parts all in the span of a few seconds. This Bel-Air in the sky can only be reached by space shuttle and is only available to the mega-rich (We are talking billionaires here people). To the people who live in the slums that were once known as earth, Elysium is a constant dream that is always out of reach.
But up on Elysium everything isn’t as perfect as it seems behind the scenes. Jodie Foster plays a character called Delacourt who wants to defend Elysium by very violent means, including launching missiles as cargo ships carrying stowaway immigrants, killing over forty civilians. The president of Elysium doesn’t take too kindly to this and demands that she end her violent methods and terminates the employment of her sleeper agent Kruger (Sharlto Copley) that shot down the ships. What’s her plan? To get the CEO of Armadyne (who designed Elysiums systems) to reboot the entire program and make Delacourt the president, effectively starting a coup. The CEO of Armadyne downloads the reboot program into his brain and begins making plans to return to Elysium to start the coup.
Sounds easy enough, right? Well through an interesting twist of fate, Max has an accident at the factory, is terribly irradiated to the point where he only has five days left to live, and decides that he is going to smuggle himself onto Elysium to use one of their med bays. “I’m not going to die yet”, he tells himself. Going through the black market Max has to install an outdated exo-suit into his spinal column and a large microchip into his brain that will allow him to download the contents of a wealthy Elysium residents brain. The data he retrieves will buy him a ticket on a smuggled ship to Elysium. Max just so happens to not be in the best of moods due to the questionable circumstances of his irradiation and requests that the CEO of Armadyne will be his target. See where this is going?
Long story short, Max attacks the CEO of Armadyne and gets the data that was in his brain, unaware of the value of the information. Delacourt sends her sleeper agent Kruger after Max, shootouts ensue, and eventually Max makes it to Elysium with the entire military branch hot on his heels.
By the way, Kruger (Sharlto Copley) steals the show.
So what’d I think? Well, the first third of the movie had me bowing before Neill Blomkamp and hailing him as the new king of sci-fi movies. And while the rest of the movie was visually very engaging, the action scenes were a bit sparse and underwhelming when compared to District 9. The final confrontation with Kruger felt under utilized considering the long build up for it. Matt Damon played his role well, but far too calm for the circumstances. The surgery scene had potential to really drive home what Max was doing to his body, but instead opted for a few quick-cut shots of bolts being drilled into his back instead of the actual surgery (hoping the DVD has a more intense version of it).
I loved Kruger’s interactions with Frey (played by Alice Braga), because they really fleshed out his strange mix of psychopath with a weird appeal. He tells her to close her daughters eyes, because he doesn’t like children to view violence. As menacing as that sounds, he sincerely meant it. And then he punches Frey right in the face, demanding that she continue to keep her daughters eyes closed. Every moment you see Kruger he manages to make you hate him and respect him in the same breath.
The visuals are incredible, but expected. My concern was with the guns though. In District 9 the guns are given plenty of time to shine on-screen with all their sci-fi weirdness. In Elysium the guns are typically shown once and then immediately discarded for something else. And this is a shame, because the few times they are given priority in shots they made the audience let out an audible, “Wowwwwww”.
Is it fair for me to continually compare Elysium with District 9? Of course. Same director utilizing a similar concept and including a star from the former film. District 9 will be remembered forever as a staple of the sci-fi movie genre, but Elysium will find it’s home as a popcorn movie that is more interesting than most this summer, but not interesting enough for us to remember it a few months from now.
I give Elysium an 8 out of 10 for being very, very solid, but also not breaking free from the shackles of the summer blockbuster that kept it from shining like it should.
In case you haven’t noticed yet, fellow IHoGeek writer Max and I are working together on a super-awesome kick-ass paper about Doctor Who, Peter Pan, and the show’s growing popularity in America. We’ve titled our paper “Come Along Pond, Off to Neverland”, a title which starts to describe the relationship we’ve discovered between Peter and Wendy’s escape from reality, and Eleven and Amy’s similar escape. We also noticed that the parallel between the two coincided rather nicely with the explosion of Doctor Who’s popularity here in the states; even though it was definitely a cult classic in the 70s and 80s, it’s never been quite this mainstream. The project is so kick-ass that we’ve been invited to present it at this year’s International Conference for the Fantastic in the Arts, where the guest speaker will be the one and only Neil Gaiman!
The conference will take place in Orlando, Florida which is not anywhere close to where either Max or I live…and we are poor recent-grads, so we started a kickstarter to support our academic goals! We have been posting like crazy everywhere–you may have seen the kickstarter on the IHoGeek twitter page and/or facebook, and a few weeks ago Max posted here on the blog about the paper topic. IHoGeek even officially supported us last week with a backer’s pledge of $10, for which we are eternally grateful.
We have officially supported @jenisaur and @maxlikescomics as they go to present their Doctor Who/Peter Pan at… fb.me/2d0UAOwIu
— IHOGeek (@IHOGeek) February 6, 2013
Today, in the last three days of our kickstarter campaign, I’m making a final push for backer support, and while I do, I’m going to encourage you all to be as awesome as we are.
I attended the conference last year, presenting on science fiction musicals, and had a blast. I made tons of professional connections and hope to do the same this year. Since our topic is a little more main-stream this year, we will be able to present in front of an even larger audience than I did last March, but I’m also REALLY looking forward to seeing other presenters’ material. You never know where inspiration lies! Here’s how to take your own ideas and share them with the academic world:
Step One: Have A Crazy Idea That Can Be Backed Up With Research
Both this year’s presentation and last’s started with mind whirrings. Last year I presented a paper I had written while working on my Masters Degree, about Science fiction and Broadway musicals. They shared a golden age, but didn’t come together successfully until the 1980s. That seemed weird to me, so I started researching and before I knew it I had a solid paper topic. This year the topic for our paper/presentation started with “have you noticed that there’s a lot of fairy tale stuff in the Smith years of Doctor Who?” At first Max and I just joked around about the links between Amy and Eleven and Wendy and Peter, but once we started thinking about it seriously, the connections made more and more sense. Then we started thinking about it even more, and once again we had our paper topic before long.
Both of these topics were where my mind went when I was bored. Both are subjects that I love deeply and care about enough to spend tons of free time researching and writing about. Having a partner this time around has been invaluble, as Max and I constantly bounce ideas off each other and more often than not end up arguing about details that one or the other would have overlooked. If you can find a co-writer, I definitely recommend it.
Step Two: Find Someone Else Who Cares
Part of the paper topic this year was formed by the fact that Max and I wanted to share our ideas with others. Last year things were easier–I had a paper to write for a class with specific qualifications in order to pass. This year, the ideas literally stemmed from wanting an excuse to spend tons of time watching and analyzing Doctor Who. I knew the conference topic this year would be on adaptations, and once I started focusing on the origins of the story, characters, and settings of the newest seasons, the topic of the paper became more clear.
I was very lucky to have awesome professors in graduate school who knew I was a gigantic nerd, and one of them happened to forward the IAFA call for papers to me last October. The ICFA’s description is as follows: “The International Conference on the Fantastic in the Arts (ICFA) is an annual scholarly conference devoted to all aspects of the fantastic (broadly defined) as it appears in literature, film, and the other arts.”
Knowing your audience is key when responding to a call for papers–you’re bound to have more luck when applying to a call that your paper answers in some specific way, or you could get buried below a pile of papers of much more relevance and interest to those reading said applications. If you don’t know where to start looking, do a quick google search for “call for paper” and some key parts of your paper topic.
Another good place to look for like-minded folks is at conventions. If you have the ability, try to pitch you paper topic as a panel at a local convention. If your idea is in it’s super-baby stages, talk about it at a round table panel on a broader topic that is related to your presentation idea; this is a great place to find connections (possibly even a co-writer) and/or research ideas you may not have thought about on your own.
Step Three: Ain’t No Rest For the Accepted
First of all, don’t give up after sending in your proposal to one conference. This is a perfect place for an “if at first you don’t succeed…” pep talk. But, if you’re smart about where you applied, (see Step Three), eventually, you’ll get that acceptance letter/email/phone call, and then your hard work really begins. Check the time requirements for your presentation; at the ICFA you get twenty minutes, but at a smaller symposium you may get 5 or ten. Check whether you can use multi-media, or if you’ve got to rely on the old index cards. Protip: don’t use index cards, and if you do, only use them for bullet points. It’s boring to watch someone read off a paper or a card. You will engaged many more audience members if you make eye contact and speak without reading. Personally, I like powerpoint presentations, especially if they have tons of pictures and/or videos included. The ICFA also requires that in order to present, you become a member of the International Association for the Fantastic in the Arts, and that you chair at least one other panel during the conference if possible. Make sure all the paperwork and other administrative things are taken care of, or you could lose your presentation spot.
Step Four: Now You Can Rest, But Only After a Whirlwind of E-mails.
Once the conference/convention/symposium is over, you may think your work is done, but it’s not really; not if you want your hard work to have a lasting effect. During the convention itself, you should introduce yourself to people, collect business cards, and hand out some yourself. When the dust has settled, send out some emails and get in touch with people you want to keep talking to. The list could include people who made presentations about which you still have questions, professional contacts such as editors or other writers, and/or folks who were simply awesome.
Also, perhaps most importantly, send an email out to whoever accepted you to the event in the first place! Thank them for including you and ask if there is a mailing list you can be included on for further calls for papers/invitations to conventions. Even if the person isn’t in control, they may be able to point you in the right direction of finding out who is, possibly insuring that you keep presenting in the future!
Good luck with your academic endeavors! If you have any questions, don’t hesitate to email me at jenisaur@ihogeek.com. I will do my best to help you out. Hope to see you at a convention real soon!
Don’t forget to back or share our kickstarter: Come Along, Pond…Off to Neverland!
And check out our project blog: Come Along Pond…Off to Neverland at Blogspot
Jen Schiller
Staff Writer
Twitter.com/Jenisaur
Let’s be honest: DC Comics doesn’t know what to do with the Captain Marvel/Shazam family franchise despite them sitting on a potential goldmine. “Not….Batman? Don’t….know how it….works? Lighthearted…how does this….what is this?” Captain Marvel, Mary Marvel and Captain Marvel Jr. have been kicked around, depowered, repowered, and depowered again; they have been completely violated, and pulled through the ringer so many times by DC scribes in the past decade just because of their more wholesome nature, which has made it pretty dismal to be a fan. It is also such a far cry from their status as the most popular and widely read superhero “family” of the 1940’s, outselling (yes) even Superman and Batman at the time. Billy Batson’s debut in 1940 in Whiz Comics #2 sold over 500,000 copies.
Hey DC, how much are your top books selling a month now? A little over 1/5 of that. Yeah. Even Mary Marvel headlined Wow Comics, and by 1945 had her own Mary Marvel ongoing book as well. Let me say that again: She had her own ongoing. That lasted from 1945 to 1948. How difficult is it today for a female character to get their own solo these days? How much applause occurs when it actually does happen? Something is wrong here.
So DC, here’s my plea: Stop trying to fit the Shazam family into comics. They’re not going to thrive, as they haven’t in over 40 years. But don’t give up on them completely; why not give them a try in other media? Just listen.
The proposal:
Warner Bros and DC Comics should take a chance on a Captain Marvel/Shazam family cartoon series aimed at younger kids perhaps in the 10-14 range (and beyond, here’s looking at you Tumblr). They could, if they did it right, have a goldmine for merchandise and an opportunity for a really fun, energetic show for all ages that both boys and girls could equally enjoy.
Stylistically I envision a bright and colorful, pastel-toned and soft Max Fleischer Superman animation styling with that 1930’s-40’s esque setting that evokes the slapstick animated comedy shorts both from MGM and Warner Bros. Studios from the same era. Keep the tone light, quick, and snappy. Have story lines that mirror old adventure pulp movies and mysteries. With the Shazam franchise seeped deep with ancient mythology, archeology, and the supernatural, it seems like a no brainer! If The Mummy could spin out a relatively successful cartoon series, so could Shazam. Plus, archeology. Just archeology.
Alternatively, they could work with an Asian animation company to do a magical girl and super sentai meets western superhero style show like the oncoming joint French-Japanese production Miraculous Ladybug set to air next fall, or go on an adaptation “inspired by” limb and do a giant-robo style series. Yes, a Captain Marvel/Shazam giant-robo show. Ever since I saw artist Cliff Chang’s designs for a vintage anime style “Justice League” featuring a Gatchaman Batman and a Superman that is a little boy who controls a giant robot, I knew that robot concept would fit Shazam better. And it would fit Billy Batson better, too, as he truly is the child within the body of a near invulnerable adult man once transformed. Can you imagine how cool that would be? Summoned through an ancient artifact that activated due to Billy’s pure heart, Shazam, centuries old golem-robot rises from his slumber when summoned to protect Fawcett City against Dr. Sivana, and his ancient counterpart, Black Adam! Mechas for everyone!
Worried about two good natured young twins Billy and Mary being uninteresting as leads though? Let me point you to the enormous popularity of Gravity Falls.
Why is this so important? Why do I want this so badly? Because I really cannot think of anything else in Warner Bros./DC arsenal that’s “different” from the usual Batman or Superman shtick that could be appealing to kids. Shazam has always been such a happy medium between “superhero” sci-fi wackiness and then magical fantasy fiction it really does seem a no brainer for a cartoon series. The presence of magic along with sci-fi elements mean lots of variety, something you can seldom get with more sci-fi based superheroes.
My other reasoning? Mary Marvel.
I don’t understand the hate or dislike Mary Marvel seems to get from some comic fans. Is it because she’s actually a young girl? Is it because she is super feminine, often bubbly and sweet? She’s often called or pegged as the Snow White (she literally has Disney-brand animal magnetism, one of my favorite skill sets ever because animals are the best and hey I love Snow White) or the Pollyanna of DC comic heroines.
Sure she can be written as pretty naïve or as a general ingénue (sometimes a bit too much) but I think it’s such a cool inversion because she is literally one of the most powerful superheroes of any gender in DC Comics according to skill set. But she hasn’t been treated as such in a long time. She has such an interesting history and legacy as a female character. I think she’s a great example to girls to show that they can be a tomboy and kick ass, or they can be feminine and also kick ass. Too often media seems to pit one against the other, and that just shouldn’t be.
The Shazam/Marvel family get little of the respect they should be getting. This is why I think the best plan would be to give them a place where they could really shine; not in the comics, but on a cartoon show on TV. I feel that’s where their true potential could be explored much easier than trying a monthly comic. They can be retooled to be fresh and new as long as the humor and lighthearted appeal remains. So dear DC Comics, please hear my plea for The Big Red Cheese,the much maligned Mary, and poor Captain Marvel Jr. Give them a chance and invest in trying an animated TV series. I’ll even write it myself if need be. I’ll write a proposal. Anything. Just give them a chance to actually succeed.