Fortune favors the bold, and boldness is certainly a key trait of Dante Basco‘s! One time leader of the Lost Boys and crown prince of the Fire Nation, Dante has a career spanning over two and a half decades. He is a Hollywood actor who has become a cult classic and pioneering figure in Asian American cinema. He was first introduced in Steven Spielberg’s fairytale movie Hook, as “Rufio,” aforementioned leader of the Lost Boys, quickly jumped to leading roles like New Line’s Take the Lead, opposite Antonio Banderas, and The Debut, which became the voice of a Filipino American generation. From breakdancing in the streets of San Francisco to starring in movies on the silver screen, Dante Basco has become one of the most recognizable faces in entertainment. I was lucky enough to score five minutes of his time before he was zoomed off to another interview at Emerald City Comic Con.
L: Hi! I’m Leia and since we have so little time, let’s get started!
DB: Hi, Leia! – Zuko voice- “I’m Dante and I’m talking with Leia!”
L: Haha, oh my God, you did the voice! Um, I was reading a recent interview of yours where you were talking about Asians having a place in film (Dante is Filipino American) and I’m noticing that Hollywood seems to be slowly getting the picture that people of color need to have a place in movies too –
DB: Definitely!!
L: – and I wanted to know if you have any projects you wanted to do.
DB: Well, there’s lots.I have a company called Kinetic Films that I’m partner of and we do Asian American/Pacific Islander films out of Hawaii, and we’ve done three so far that I’ve co-written some of, produced with my partner James Sereno, and with KevJumba we did Man Up. Me and Kev did Hang Loose together, we did Paradise Broke when it came out. Those are actually all out online. We’re actually funding a film right now for AJ Rafael called Red Roses! We are part of this movement…I created an Asian American arts collective in downtown LA where it’s all about curating, educating, and inspiring the next generation of content creators and it meets on the 8th of every month.You go to WeOwnThe8th.com and it’s about co-opting the 8th of the month for Asian media in America. I’m that generation now where I’m a “young veteran.”
L: What a bizarre sort of title!
DB: – laughs – The world has changed so it’s about getting into the conversation and really understanding that …Hollywood is recognizing that we need to be a part of the system but also we have to recognize that it’s also on us to create the content. It’s not like “oh, Hollywood needs to put us in their movies.” As much as that goes on, it’s still limited to their point of view of who we are as opposed to us as a community, whether it be Asian American, African American, Latino, going, “no, WE have to make content, WE have to be filmmakers.” It’s on us to represent us. It’s not on us to go and say you have to do this for us. That’s not how it works. How it works is we have to write and make the stories and it might start small. It might be a $10,000 project, maybe a $100,000 project. We’re not coming off the blocks making million dollar films and it’s okay! We have to create the stars and stories from our own experiences and not have the system dictate to us. You know what I’m saying?
L: Absolutely. It’s so important to find our point of views in media, especially for kids. I’m sure you get a lot of kids coming up to you and they’re probably ecstatic to see representation in you.
DB: It’s a LOT of kids!
L: My other question is with big franchises like Star Wars and Marvel, they’re putting more and more Asians into their films. How does that effect you as an actor?
DB: EXCITED! You know, it’s great. There’s so many great franchises that you grew up watching and you were in. Like, we all saw ourselves in them in our minds, but to see it actually happening on screen is just great. To be credited as a pioneer that helped usher in this wave of change is also cool. To be part of a franchise like…Avatar the Last Airbender, which is like a Star Wars for its own generation and being a pivotal piece of that, wow. It’s dream come true kind of stuff. I can’t wait to be a part of this future.
As much as I wanted to continue talking with Dante, his other obligations beckoned and I can successfully mark this interview off my bucket list.
Note: Interviews transcribed from audio are edited for clarity only.
I have been a grump. I have been down. And Steven Universe has helped bring me back.
When you’re in a depression it can take a lot of effort to like things. I’ve always naturally been on the critical side (to protect my gooey idealistic and sorely disappointed core) so it admittedly can take quite a bit to impress when it comes to pop mediums. I am very sensitive to how things are written and plotted and I’ll be quick to point out things I didn’t like or felt should have been different. Sometimes this comes in handy; approaching media critically is important. I am indeed the skeptic. I know that much about myself. But sometimes it can be a bit too much.
Not too long ago I found I was going beyond that and was in a total state of grey. Absolutely uninterested, often irritated and just plain bored. I just wasn’t excited about much, and I had a distinct hard edge. When things that you actually like still don’t bring much joy, you know you’ve hit a wall. I’ve worked hard to remedy it and while you can’t ask for perfection, I am feeling better, and a cartoon show about a plucky half-alien tween with a gem in his belly button helmed by Rebecca Sugar have contributed towards my feeling better. I feel I can like things again a bit easier.
Why? First things first; Steven Universe is just a cool show. It has pretty art, an animation style that allows for a lot of fun deformed “off model” faces and bodies for the sake of comedy and expression, gorgeous backgrounds and palettes, and a surprisingly deep and nuanced narrative. Add to that wonderful poc characters and a majority poc voice talents, nonbinary female presenting characters with tons of body types, a sensitive, gentle pacifistic male lead, canon queer romantic relationships and all played out in short 11 minute segments. It’s fantastic (and easy to binge watch).
I didn’t originally think this way. I caught a few episodes when it first aired and I was a bit tepid. I was expecting something a bit different than those initial episodes and it was okay; but I wasn’t as into it as I thought I would be. I was soon wrong. Very wrong. Initial appearances seem to suggest an Adventure Time via Troll dolls and 80s/90s space cartoon flourishes but as you go along what we’ve got instead is in fact a huge love letter to a lot of 80s and 90s shounen and shoujo anime and action cartoons. The art is stunning.
This is not terribly surprising. Many new animated shows, being made by creators who grew up during or witnessed the 90s anime explosion have been creating work with Eastern animation influences for a while. Dexter’s Lab, Powerpuff Girls, and Samurai Jack were ahead of the curve; their looks owed quite a bit to retro anime from the 60s to 80s. After the huge late 90s anime craze series like the original Teen Titans while good in their own right played the current anime stylization of the time straight and tried to ride that wave pretty overtly. I feel culturally we’ve matured since then a little. Shows like also amazing Bee & Puppycat would be an example further up the notch from Teen Titans in terms of filtering stylization and influence. Still very clear anime influence but also it’s own thing. I’d place Steven Universe next in line; its references (Utena and Dragonball Z are numerous and quite prominent) are clear and Pearl is a walking shoujo action trope but it is, more so than the other two series, its own style and is not defined or limited to the expected stylization of the genre which the other two adhere to more.
Ultimately, animation style or not, the characters of Steven Universe, their earnestness and the core theme of “love” and compassion are what affected me the most and cracked my hard shell during an ongoing recovery. Steven’s father Greg, and Steven himself are both earnest and sensitive characters, neither afraid to cry, and are overall amazing and something we desperately need more of to teach boys its okay to be “soft” and romantic, pacifistic and good natured and work towards getting rid of toxic masculinity that teaches otherwise. Seeing how other people reacted to the show and it’s slow burn to blaze is also inspiring. Seeing what characters like Garnet (and by extension Ruby and Sapphire), Amethyst and Pearl, Lapis, Connie, Lars, “The Cool Kids” and above all Steven himself actually mean to people and what they’re doing for them by existing, just speaks spades. It’s really inspiring me to be…softer. Just a little bit. In any case it’s made me feel better.
Please watch it if you haven’t fallen for this show yet. It’s on a summer break too right now so it’s a great time to catch up. Maybe it can help make you feel better too.
Max Eber
Staff Writer
@maxlikescomics