Given the size, popularity and market share Funko currently enjoys, it’s no surprise that their booth at San Diego Comic Con is one of the most anticipated. They will be offering a metric buttload of exclusives (all of which you can find here), and that’s on top of the Pop-Up Shop they’re hosting outside of the convention in San Diego (news of which you can read about here).
The latest San Diego Comic Con exclusive announcement from Funko is different from the rest. Instead of an individual figure, it is a launch for an entirely new line called, Vnyl., which is “vinyl” without the “i.” Why the name? Well, according to Funko, “there’s no “i” in Vynl. because there’s always two of them!”
This year, Funko Pop! released a bunch of their San Diego Comic-Con “exclusives” in retail chains throughout the country. Some of us thought this was a great idea. Others were decidedly unenthusiastic. Jen and Alex seemed to have the most extreme reactions to the issue. Read on to find out why.
Alex and the East Coast Search for West Coast Funko Pop Treasure
This is my first “serious” year looking for exclusives from SDCC and, even though I wasn’t going to the con, Funko Pop! had a special release of select exclusives through stores like Barnes & Nobles and Hot Topic. This was good news, especially since I live all the way in Tallahassee, on the other side of the country from the convention. The extra releases made the pain of not being at SDCC a little more tolerable. If you’re a collector just looking to nab a neat figure without the huge burden of going to SDCC, however, this is the best route to getting exclusives.
So my game plan this year was to shop locally for the exclusives I could get and then hit the online stores for the true exclusives from the con. There were leaks online as to which stores would have which Funko Pop!s, so coordinating with friends was a cinch. I went to Hot Topic and my friends hit Barnes & Noble when the stores opened at 10 am, and within about an hour everybody had the exclusives they wanted. If we hadn’t rushed the stores in the morning, things wouldn’t have been so great. A friend that wasn’t able to come out with us had to wait until noon to come to the stores and he couldn’t find a thing he wanted. By 5 pm the Hot Topic was bone dry; nothing but French Mistake Castiel and the new Pop Tees were still available. The basic takeaway is that even though there has to be some effort involved this is a far easier process to getting exclusives than trekking to SDCC and praying to survive a line before it gets cut off.
You could also use eBay. Using eBay is a bit of a toss up and you have to think in terms of what you really want versus what looks neat. My goal this year was a Princess Leia Unmasked in her bounty hunter uniform from Return of the Jedi; one of a few SDCC exclusives available only at the show. It was nerve wracking waiting for a Buy Now option, but eventually one appeared. It did come at a cost, but compared to the cost of traveling to SDCC and the time waiting in line, it’s barely worth noting. Though compared to finding exclusives through local stores, I prefer going through stores and coordinating with my friends. Never mind the difference in pricing, it’s a bit more fun to go from store to store finding desirable treasure. Especially if this experience can be easier to obtain than taking your entire social circle and yourself to SDCC. You might say that exclusives coming to town is an excellent way to bring SDCC to you than the other way around.
Jen And the Case For A Coastal Dichotomy
I really like Funko Pops. I do not, however, go out of my way to collect them or pay more than $10 per pop (All standard size Pops are $9.99 when they premiere). I like to live vicariously through press releases and Pop collector galleries. I do, however, have a huge collection of books–the centerpiece of which is two complete and three partial Harry Potter collections. I have the initial hardcovers that my family bought as they were released, the paperbacks I took with me to college, several British copies I bought when studying abroad, an Italian copy my best friend bought when she traveled abroad, and one “adult” cover copy of Prisoner of Azkaban. I love my Harry Potter collection–and I would be pissed if all of a sudden the more rare items in that collection were made less impressive by, for instance, an American release of the British covers.
When Funko announced that the San Diego exclusives would be released at Barnes and Noble, I balked. I thought it was a joke at first. Once the items are available elsewhere, doesn’t that disqualify them from being called “exclusives”? Should they then be demoted to “limited run” Pops? I suppose that sounds less awesome, so I can see from a marketing perspective why the name wouldn’t change. However, it grinds my gears that they didn’t get a name change along with their distribution changes. Once Hot Topic was releasing even more of the Exclusives, I threw my hands in the air. They’re not exclusives anymore, guys. It’s official.
While Alex makes a good point that not everyone can make it out to San Diego, and for collectors that might be an issue, I don’t understand how national distribution is somehow the same thing. To me, it’s worse–it makes the actual exclusives less special, and owning one less impressive. While he does describe a treasure hunt, to me it would be somehow less satisfying to come home with those British cover Harry Potters if I just bought them at my local bookstore. They wouldn’t be British anymore, and as any good Anglophile knows, if it’s not British it’s not worth the trouble.
Releasing the SDCC “Exclusives across America annoyed me when it was announced, and it annoyed me throughout the day watched my facebook feed blow up with folks hunting and finding exactly what they were looking for. It takes away all the intrigue, all the levels of difficulty…all the exclusivity.
What do you guys think? Did you snag some San Diego “exclusives” at your local bookstore last weekend? Should their title be changed? Or, like Jen, are you itchy just thinking of the golden Bender figures now all over the country on people’s shelves?
Didn’t make it to SDCC this year? Me neither. While some of our contributors are among the lucky traipsing around the con this year, I spend a good part of the day on the internet looking for coverage. So here’s some of the best Cosplay making its way around the web.
Since I’ve yet to make it out to the fangirl Mecca which is Comic-Con International: San Diego (SDCC), I took advantage of the con’s official Preview Night to enjoy the event from view Morgan Spurlock’s exceptional documentary “Comic-Con Episode IV: A Fan’s Hope,” on the chaos, anxiety, passion, disappointment and dream-making that melds together to make the event each year.
As much as I enjoyed (and related to) the film, it left me with a sense of uneasiness and well, a bit of despondence for this ever-growing event that I couldn’t quite put my finger on. Was it the idea the mega-film world taking over the purity of the original Comic-Con mission, the flippancy in which the comic book “ins” treat the hopeful artists or writers, the celebrity worship (yes, I’ve written about those I like, but never consider them at a “higher lever” than myself) or just the sheer amount of humanity in all its supernatural forms pouring in and out of one place.
I’ve decided to turn my inner turmoil into a constructive guide to avoid post-con depression by taking five possible Con cons, as it were, and turning them in to positives:
Con: The movie industry (and its fans) has invaded the purity of the event.
Solution: There is no doubt about it, the “comic” in Comic-Con sees hidden amongst the flash of Hollywood hype, but don’t forget these cons are still the best places to buy signed artwork and books directly from some of the industry’s best, as well as haunt a few of the nation’s top comic book shops. While huge throngs crowd around the latest celebrity appearance, there are slightly smaller numbers around comic book dealers and artists. I’m not telling you to avoid the “movie and television” feature, particularly those inspired by comic book properties, but if you want to avoid feeling lovingly patronized by the “pretty people,” skip the panel presentations and head to more immersive set mock-ups and prop displays. Those are the real stars.
Con: There are so many others trying to get their “foot in the door” in the comic industry…too many!
Solution: For those wanting to “make it” as a writer or artist, keep in mind (and I know you’ve heard this before) some of today’s biggest names in comics were give the old “brush off” by some well-meaning critics. Frank Miller even said he was told to go back and “pump gas” somewhere since he obviously wasn’t meant to break into the business. I know this type of “tough love” can hurt. Trust me, as a long-time writer, it cuts deep to hand your artistic “baby” over for sacrifice only to have it passed over with a “you’re just not what we need” remark. But there is an advantage of getting out there, even if it doesn’t necessarily mean a job. First, a little humility doesn’t hurt. There are a ton of over-the-top talented artists out there, most of whom will never see a published work from Marvel, DC, Dark Horse or any other recognized labels. This is where you need to face one tough question: “Are you doing this for the love of the craft, or for ‘celebrity status’ recognition?” I’m not judging here, attention, applause and recognition can be addictive. But take any rejection and criticism with a grain of both salt and sugar…don’t discount the critiques and use them to better your work, but don’t let them spiral you into self-loathing. If you are doing this for love of the craft and don’t get any “bites” from the big wigs, look for small, regional or local publishers, self-publish, start a blog or get your work on social arts sites that provide encouragement and feedback such as deviantART or etsy (depending on what you’re medium is). Above all, relish in the talented folks you meet while at the ‘con and leave with the resolve to never stop creating….and sharing…your work.
Con: Look at that guy? Am I really that nerdy? Do I really want to be around these people…BE these people?
Solution: Yes you do, along with thousands and thousands of others. Don’t be uptight and smug. Yes, there are those stereotypes that make you feel either a lot worse (of a whole lot better) about yourself, but if the draw to embrace the inner fanboy wasn’t so strong, the birth of the “Hipster” movement of cool poser nerds would never have happened. Everyone secretly wants to let their guard down and just relish life and its eccentricities. This is a place where you can do this!
Con: There are just too, too, too many people. It’s like India with capes instead of saris.
Solution: This is a legit gripe. I kind of adhere to Randal’s ironic “Clerks” philosophy of disliking people but loving gatherings. One thing you need to realize, prepare for and understand early…there will be many, many, oh so many people at SDCC. If this is the one thing keeping you from moseying to San Diego, I’ve learned there are a lot of smaller ‘cons worldwide with similar offerings of artists, celebrities, book signings, cosplay opportunities and traveling exhibits that aren’t so overwhelmingly large. I have a blast at my local cons, and so do plenty of others across the nation. But keep in mind, every relationship between a large con and con-goer is special, but will never be an exclusive one. You’ll have to share it with others, and meet others you’ll want to share I with, too.
Con: Great, here’s yet another venue the “pretty” have taken over from us regular people. I am a troll.
Solution: Here’s a little something I’ve learned along my lifelong journey of low body image. At Comic-Con (and this includes all cons), NOBODY really cares how you look…. as long as YOU like the way you look. There are people there in Weta Workshop and ILM-worthy suits with animatronics and their own light shows, and those who painted eyes on an upside-down KFC bucket screaming “I’m a Storm Trooper!!!!” Comic-con crowds are bridge-building crowds, where everyone is on an equal level, as long as they want to be. Once you have built that bridge..get over it and have fun.
Look for more on SDCC from ihogeek.com contributors Josef, Colby and Samuel as they venture into the masses this year’s event this weekend. Also, check out Spurlock’s ”Comic-Con Episode IV: A Fan’s Hope” if you get a chance. Well worth a look.
Lisa Kay Tate
Staff writer and resident ihogeekmom
For someone like me who has never attended San Diego Comic Con, preparation was, for lack of a better word, a bitch.
When my boss offered me the chance to go, I shrugged at his later questions at what panels I was gonna try for, saying, “Oh, I don’t know. I suppose I might just wing it.” My cavalier attitude was met with hearty guffaws and I sat at the computer later that night, searching for guides on how to prepare oneself for SDCC. As I researched (read wasted time on Facebook), I noticed a video from Aggressive Comics. Amid the satire were several nuggets of truth, but I felt it wasn’t enough to weather the proverbial storm of Comic Con. I also stumbled upon a GeekWithCurves blog post about how to prepare for the convention and that particular piece of writing was invaluable. It saved me numerous headaches and it showed me just how unprepared I was for a convention of that scope. When the schedules were released, I sat down as soon as possible and chose 3-4 panels each day with several alternatives just in case I was unable to get in, leaving ample time to wander the exhibit hall or meet up with friends (or eat). I felt I was being silly doing this, but I was just a naive girl, unaware that SDCC was NOTHING like a convention in Dallas.
Once I actually arrived and collected my badge, my super awesome roommate kindly gave me one piece of advice: collect all swag I could and any tickets/raffles/room cards should be put immediately in the plastic sleeve of my badge. This oddly did not prevent me from losing several tickets for giveaways and my room key, but I struggled to remember this piece of advice as my pockets filled with small papers.
I wish I had stopped to look at the convention map provided to me at pick up.
Overwhelmed doesn’t even begin to describe my awe at the sheer amount of people, nor does it describe the excitement I felt at seeing all the displays and booths in the exhibit hall. Throw in a little anxiety at cosplaying for the first time and meeting people I’d only spoken to via internet and you had me: a lost, red faced girl from Texas. I ended up missing the cut offs for several toys during preview night and I ended up flabbergasted in a cab back to the hotel, empty handed and dazed.
I wish I could say the rest of the days were better and I accomplished things.
I think at the end of SDCC, I went to TWO panels on my list, and enjoyed four others I happened to wander into. I also successfully purchased the few items I really wanted out of sheer luck. I cosplayed successfully with a large group for Steampunk Saturday and I met many people I’d only dreamed of meeting.
So what did I learn? I need to research more and take my husband. I missed so much that happened off site and having another person with me would have helped in those moments where I couldn’t be in two lines at once, be it for The Hobbit in Hall H, or trying to get that Derpy Hooves figure to give away to you all. I vow to make at least FOUR panels on my list, to attend two off site events, AND to somehow wire a camera into my glasses so the next time I bump into Nathan Fillion, I have photographic evidence.
There’s always next year, right!?