For readers of “big two” comics, I have one plea for you come this February: Buy She-Hulk. Buy She-Hulk. Buy She-Hulk. Is that clear? Because you really need to be buying She-Hulk when it lands this February. Okay, for those that need help we’re gonna break it down:
– She-Hulk is relaunching in February.
-You are going to buy it.
– End of story.
No really, the return of Jennifer Walters to a solo series is more than just awesome: it’s direly needed. Why? Because in the world of comics she is different. In the world of dark and gritty narratives at Marvel and all over DC; Jen’s forthcoming title may be a becon amongst the dark, one of the ever decreasing number of titles about heroes that are witty, bombastic and above all; fun.
Spider-Man? Eh not Peter…not funny? Batgirl? Gritty moody and she cries nearly every issue or something happens that may as well make her cry and add additional trauma to the poor girl. Nightwing? Whoops…
Jennifer Walters, cousin of Bruce Banner and the lawyer turned giant green muscle-house as She-Hulk has always served as a genre-savvy entity. A tour de force in brawn, brains and wit Jen has outright shouted at her own editors, threatened readers and in all have broken the fourth wall Bugs Bunny style enough times on her covers and in -comic to give modern day Deadpool a run for his money. She did it first; she does it the best. She’ll be doing it again. (Bad girls do it well.)
Her forthcoming series, can and will be the female solo to read. And you will be picking it up. Because Jen will be coming with heavy guns (in more ways than her own two arms). Covers will be done by Kevin Wada known for his artful and edgy fashion reinterpretations of mostly X-Men ladies. Interiors will be done by Javier Pulido (Catwoman, Black Cat, Hawkeye). If that’s not enough to get excited, then get out like come on. They are wanting her to be A-list. And they’re certainly not skimping on talent.
Above all in a world of dark and gritty narratives, writer Charles Soule (Thunderbolts, Swamp Thing) understands the character and the need for a balanced approach to superherodom and above all; tone:
“One of the things I want to work hard to do in this new series is treat her as a real person. She absolutely has problems, just like most of the heroes of the Marvel U, but she chooses to approach them with optimism and good spirit rather than surrendering to the grim and gritty. It takes a lot to bring She-Hulk down, although we’ll throw a lot at her.”
For me, this is amazing as it stands in complete opposition to the current attitudes in a lot of comics particularly DC right now and overall seems to be what many, many, many people online are wishing from a “mainstream” comic let alone a female-led title. The top selling female solo-book last month was Gail Simone’s chronically dark and grim Batgirl reboot title who has been bleeding thousands of readers each month and has put Barbara Gordon so far in a twenty-four month spiral of non-winning wins and a stream of constant angst and little to no character growth. I am biased; I like my heroes being able to take things in stride and overcoming them with optimism no matter how dire. I also appreciate writers that know the difference between dark and dramatic narratives versus grim and gritty and that writing gritty does not mean your story is dramatic or that your story has to be gritty for it to be dark.
I hope the more positive and energetic approach She-Hulk will bring this February will rocket her title as the top-selling female book. It would send a very clear message: “We want more things like this”. I implore those that buy comics: get She-Hulk. Make her book the top selling female solo title. Because she’ll come tear up all your X-Men and Avengers comics if you don’t. Like really you just don’t want to risk it.
It can change things for the better if you do.
Max Eber
Staff Writer/The Doctor
max@ihogeek.com
Twitter: @maxlikescomics
A-Force #1 hits shelves May 20th
Dr. Lepore,
Allow me to preface this letter by saying your accolades and background are far and above my own, as I am but a woman in the comics industry, in particular a woman who manages a comic book store. I’ve carried your book, “The Secret History of Wonder Woman,” in my shop to great success, and I was interested to read your thoughts on A-Force, a comic that has my female customers absolutely excited to pick up.
I’ve never been so disappointed.
Aside from the glaring lack of research and absence of any actual insight from professionals in the industry, there are problems with your article that could have been solved with a simple Google search. For example, you state, “The A-Force is a race of lady Avengers, led by She-Hulk, who come from a “feminist paradise,” but I don’t know what that could possibly mean, because they all look like porn stars.” This isn’t the first time a hero like She-Hulk has come under fire for her appearance, and it certainly won’t be the last, but this is a problematic sentence. Without researching a little about She-Hulk, and learning she is in fact one of the most feminist heroes we geeks have, you reduce her (and based on your sentence structure, everyone else on the team) to a porn star, like they can’t be feminists or heroes.
Later, you liken the costume of the complex, three dimensional character of Pepper Potts to a shirt one would borrow off a boyfriend, even if that boyfriend is genius, billionaire, playboy, philanthropist Tony Stark, just because you can see the outline of her breasts. I wish that were the end to the disservice, but you then go on to claim Nico Minoru, a sorceress once considered for the Sorcerer Supreme, is lame, perhaps due to her fashion choices, and that Thor and Loki, just became women, when in fact Norse mythology is remarkably genderfluid. Is any of this apparent based on a first issue of a new series that is packed characters who, combined, have been in print for over 100 years? No. But what costume design or breast size would communicate any of that to a new reader or 4th grade boys?
Perhaps you were concerned with how much of female superheroes are drawn for the male gaze, which is a completely valid concern. Let’s talk about how to fix that. How do we reclaim She-Hulk from the fantasies of teenage boys, if that’s all a grown woman like yourself sees when she opens A-Force? I pictured She-Hulk as she is and turned an imaginary boob-dial in my head to reduce her cup-size… and my stomach churned. It felt like body-shaming a powerful character that I adore, and would adore no less if she had a different figure than the one she’s had for almost 25 years. I understand your superficial criticism, but not your implied solution.
There are definitely still strides to be made by Marvel in both its cinematic universe and comics themselves, in character costume and characterization, but the writers in mention, Joss Whedon and G. Willow Wilson, are doing something greater than “re-inventing” the female superhero. They are attempting to diversify the people we see as super heroes in our media. G. Willow Wilson, writer & co-creater of the latest Ms. Marvel, Kamala Khan, is responsible for a groundbreaking series that has been consistently breaking print and digital run records featuring a minority: a Muslim teenager. This series in particular marks the first time I’ve seen girls and women of a Muslim background even come into my shop, PURELY BECAUSE they can see themselves in Kamala. Let’s say the mother of one of these girls reads The New Yorker and sees the heroes Kamala is fighting alongside likened to porn stars. Do you see how this could be detrimental to something so good? Again, you harp on She-Hulk for not being an example of a “better female character” when Jennifer Walters is single-handedly a demonstration of “what women might be if they were freed from fears of judgment and the threat of physical danger.” She is an accomplished lawyer, a respected member of the Avengers, and secure in her appearance without having to sacrifice her sexuality, so tell me…how is she not one of the best female characters we have?
A-Force is marketed as a team of able superheroes of all ages, shapes, and sizes, and is something to be lauded, not ridiculed because they happen to have breasts. Do they not have identities? Do they not matter because their superhero moniker doesn’t have “-man” tacked on at the end? Sure, I’ll be the first one to agree that I wish their armor/costumes weren’t plastered to their perky boobs all the time, because the point that that is what Captain Comics and Mr. What took away from the issue at the breakfast table shouldn’t be ignored. Granted, pre-teen boys aren’t the biggest demographic purchasing comics in this modern age, but at least here I can agree that it’s unfortunate that their view of what women can be as superheroes is clouded by their cleavage size.
I had hoped there’d be some more mention of the plot, as America Chavez has also recently come onto the comic scene (and another girl of color, no less), and become a fan favorite, but it looks like your unfamiliarity with everyone minimized what was taken in, story wise. I urge you to judge our female characters less harshly in the future because the industry has come a long way since the creation of Wonder Woman, and I suggest you pick up a couple of books and become a fan through their stories, and not dismiss them for the skin they show. Most shops will have softcover copies of Ms. Marvel: No Normal or She Hulk: Law and Disorder, or hell, you can always tweet at the vast network of female comic retailers (@LCSValkyries), or myself, and we’ll all be glad to give you recommendations to broaden your appreciation of the modern female superhero.
Lastly, Jessica Rabbit’s iconic line is symbolic of the prejudice she is subject to based on her sexualized appearance. It’s ironic you use it in your article as a closing statement, where you’ve done the same to the cast of A-Force.
Sincerely,
Leia Calderon
REVIEW | The Batman Who Laughs – #1
REVIEW | Doomsday Clock #4
Review | The Lost Path by Amélie Fléchais
Emerald City Conversation with Jen Wang
REVIEW | Doomsday Clock #2
Top 10 Comics of 2017