March 26, 2014 was a sad day in television as it marked the final episode of Psych on USA Network. Millions of fans across the country thought that was the last they’d see of Shawn Spencer and Burton Guster, the duo responsible for the titular psychic detective agency. Little did we Psych-Os know the showrunners had another trick up their sleeve: a movie. Airing on December 7th, Psych: The Movie reunites the bulk of the main cast and I, for one, couldn’t be more excited.
In preparation of the movie, I sat down and revisited all 8 seasons of Psych, which was no easy task since the show was removed from Netflix and I had to watch everything on DVD. Can you imagine swapping out all those discs as each episode ended? It was exhausting.
Anyway, here are my picks for the top 15 episodes of Psych. Wait for iiiiiiit…
—————————————————————————————————————————–
Pilot
Season 1, Episode 1
Pilot episodes usually aren’t the best episodes of any series; it often takes time for the characters’ personalities to gel and worm their ways into our hearts. But in the case of Psych, the characters are pretty much as they are fresh off the page. Shawn Spencer (James Roday) is lazy and unambitious despite his gift of hyper-perception and deductive reasoning. He uses this gift to call in numerous tips to the police in an effort to collect reward money but when the cops start to suspect him as the culprit, his only out is to feign psychic powers. Though he’s met with some skepticism, courtesy of Santa Barbara head detective Carlton Lassiter (Tim Omundson), he convinces the interim police chief Karen Vick (Kirsten Nelson) to bring him on a case. At that point, Shawn drags his best friend and enabler Burton “Gus” Guster (Dulé Hill) along for the ride. We also get a look at Shawn’s strained relationship with his father, Henry (Corbin Bernsen), an ex-cop who is not too happy with Shawn lying to the cops, but when he goes to bat for Shawn and reveals what he’s willing to do for his kid.
—————————————————————————————————————————–
Scary Sherry: Bianca’s Toast
Season 1, Episode 15
When a sorority hazing goes badly and ends with the death of a college girl, the incident is written off as a copycat suicide based on the death of Santa Barbara’s urban legend, Scary Sherry. Juliet (Maggie Lawson), however, goes undercover in the sorority to investigate deeper, asking Shawn and Gus for help. “Scary Sherry: Bianca’s Toast” doesn’t feature any big name guest stars or off-beat musical improv but the teacup scene is one of the funniest moments in the show and I’m including it on this list for that alone. Also, the B-plot with Lassiter training an elder rookie has some great moments.
—————————————————————————————————————————–
American Duos
Season 2, Episode 1
When a judge on the hit singing competition reality show “American Duos” has a few brushes with death, he goes to the Santa Barbara police for protection. A parody of Simon Cowell, Nigel St. Nigel is portrayed to perfection by a smug Tim Curry and his performance carries the episode. Bonus points for the second special guest star, Gina Gershon, playing a booze-riddled and absent-minded former pop star, a clear lampooning of Paula Abdul. Bonus bonus points for the episode also giving us James Roday and Dulé Hill dressed as Roland Orzabal and Michael Jackson while performing Tears for Fears’ “Shout.”
—————————————————————————————————————————–
Disco Didn’t Die. It Was Murdered!
Season 3, Episode 5
“It’s a big birthday cake!” Taking its influence from the pop culture of the 70s, including shows like The Mod Squad and movies like Shaft, Shawn and Gus are called in to find new evidence in a case that was recently overturned, which just so happened to be the biggest case of Henry Spencer’s career. The trio need to track down clues which brings smack dab into the middle of the 70s; from the polyester shirts to a ’73 Mercury Cougar to a 70’s-themed disco run by a dude named “Pookie,” “Disco Didn’t Die” hits all the notes to fan the flames of nostalgia in the most humorous way possible.
—————————————————————————————————————————–
Tuesday The 17th
Season 3, Episode 15
Written and directed by James Roday, “Tuesday the 17th” is the first episode that takes film homage to the next level by taking influence from classic horror movies. When an old camp friend approach Shawn and Gus to investigate the disappearance of a counselor at his new camp, they soon find themselves being stalked by a masked slasher. But the swerve, that the camp is meant to be a murder mystery camp where people figure out the identity of the killer, is met with another swerve, wherein a real killer is picking off the counselors one by one. The episode features almost every horror movie trope known to man and, in general, has a ton of fun with the premise.
—————————————————————————————————————————–
High Top Fade-Out
Season 4, Episode 7
There are a lot of things to point to as making “High Top Fade-Out” a great episode. It features guest appearances by Jaleel White and Kenan Thompson as old college friends of Gus, as well as 50% of Gus’s college singing group, Blackapella. Tony Todd also makes an appearance though slightly less Candyman and more undercover cop. The episode marks the introduction of Kurt Fuller as coroner Woodrow Strode, a character that would make multiple appearances through the series and become more off the wall each time. The intro song was rerecorded by Boyz II Men as a way to cement the singing quartet theme. But probably my favorite part of the episode is Dulé Hill’s performance. Though he’s never been a slouch in any episode, he emotes a full range from anger to pain to concern as he works to repair his relationship with his friends. Every minute of it is fantastic.
—————————————————————————————————————————–
Mr. Yin Presents…
Season 4, Episode 16
The second episode in the Yang trilogy, “Mr. Yin Presents…” is a love letter to Alfred Hitchcock. The murder of a waitress leads Psych and the police to discover that Yang was working with a partner, the mysterious Mr. Yin. After Shawn fingers Mary Lightly (Jimmi Simpson) as the killer, he realizes how wrong he is when Mary winds up dead, murdered in the same manner as Detective Arbogast from the Hitchcock film Psycho. The gang soon find themselves in a trap, each playing a role from different Hitchcock movies; Shawn as L.B. Jefferies from Rear Window, Henry as Mark Rutland from Marnie, etc. The episode is filled with references to Hitchcock, both visual and in dialogue. It’s a fantastic watch and leads to some great character development for the rest of the series.
—————————————————————————————————————————–
Dual Spires
Season 5, Episode 12
Despite the recent revival, Twin Peaks was one of those cult shows that had a rabid fan base but never really struck a chord with the culture at large. The showrunners of Psych however, found enough to work with and centered an entire episode around its atmosphere. Featuring many of the original stars of Peaks, “Dual Spires” plops Shawn and Gus in the center of a small mountain town where the people are a little off-beat, forcing them to dig through the residents’ idiosyncrasies to discover the truth behind the murder of a young woman. Dana Ashbrook, Ray Wise, and Sherilyn Fenn all make appearances, as well as Chris Isaak’s “Baby Did a Bad Bad Thing” in a nod to the 1992 Twin Peaks movie, Fire Walk With Me.
—————————————————————————————————————————–
This Episode Sucks
Season 6, Episode 3
Don’t let the title fool you; the episode is actually pretty good. Admittedly, I almost didn’t put it in but the more I thought on it, the better it became. This is the vampire episode and the showrunners went all in making that apparent. The episode not only guest stars Kristy Swanson and Corey Feldman, both vampire famous in their own right, but Tom Lenk show ups, who had a recurring role in the Buffy TV series. “This Episode Sucks” essentially benches Shawn and Gus, relegating them to second fiddle as they freak out over the idea of vampires in Santa Barbara (though they do dress up as famous vampires; Shawn as Lestat and Gus as Blacula). Despite all of that, I like this episode as it gives Lassie a chance to shine. It introduces Marlowe as his love interest which sets up his character arc for the remainder of the series. Shawn and Gus may be the protagonists of the show but it’s nice when some of the other characters get the spotlight.
—————————————————————————————————————————–
Lassie Jerky
Season 7, Episode 3
There’s no denying the impact found footage films have had on the movie industry. Luckily, the writers of Psych recognized this and blessed us with their own take on the genre. Wrapped around the search for Bigfoot, “Lassie Jerky” finds Shawn and Gus in the woods with some college film students when they stumble upon three dead bodies. The episode is a masterpiece shot from all first-person perspectives and perfectly homages the classic found-footage film, The Blair Witch Project. It also guest stars WWE’s Big Show and has probably my favorite scene in the entire series, an impromptu acapella rendition of the Bangles’ “Eternal Flame.”
—————————————————————————————————————————–
100 Clues
Season 7, Episode 5
The landmark 100th episode of the series. Shawn gets himself invited to a dinner party in a swanky mansion and tries to smooth his relationship woes with Juliet. When she can’t make it, he brings Gus along and discovers that the party was thrown by a recently released from jail rock icon, Billy Lipps, with all of the party guests tied to the case that sent him to prison. A riff on the movie Clue, “100 Clues” was promoted with a real-time contest that allowed viewers to choose who the killer of the episode really was by using a special hashtag on Twitter. Much of the humor in the episode is based on Clue and also includes three of the film’s stars as guest stars: Leslie Ann Warren, Martin Mull, and Christopher Lloyd.
—————————————————————————————————————————–
Psych: The Musical
Season 7, Episodes 15 & 16
This might be cheating a bit as it spans two episodes but “Psych: The Musical” originally aired as a 2-hour special so suck it, I’m counting it. Though I’m not a fan of musicals, I wholly enjoyed this episode, if only because of how they made each of the musical interludes diegetic. Shawn and Gus are tasked with tracking down an escaped mental patient, a deranged writer who learns that a version of his play based on the Jack the Ripper murders, is premiering at the local playhouse. There are a number of highpoints in the episode, including the return of Ally Sheedy in her role as Yang, Anthony Rapp, best known for as Mark in Rent, and Dulé Hill as “Jamaican Inspector Man.”
—————————————————————————————————————————–
Remake A.K.A. Cloudy…With a Chance of Improvement
Season 8, Episode 3
One of the more off-beat episodes of the entire series sees the gang remaking an episode from the first season as a commentary on Hollywood’s remake culture. “Cloudy…With a Chance of Murder” focused on a school teacher who was charged with the murder of the local weatherman, with Shawn and Gus assisting her legal team in getting her acquitted. “Remake” follows that same premise but peppers it by recasting the guest stars, many of whom had already appeared in other episodes as completely different characters. Thankfully, they also saw fit to change the murderer and the method behind the murder, so as to deliver an almost new mystery. My favorite part, though, was the appearance of Ed Lover as the court bailiff and his delivery of the classic “come on, son” line.
—————————————————————————————————————————–
Nightmare on State Street
Season 8, Episode 9
I really seem to like the episodes that homage classic horror movies, huh? Anyway, “Nightmare on State Street” has a lot going for it, most notably guest star Bruce Campbell. The film focuses on Gus’s nightmares, which stem from Shawn’s absence and leads directly into the end of the series. As such, the episode devotes significant time to A Nightmare on Elm Street, and more than just the title. But the episode also references Night of the Living Dead and Texas Chainsaw Massacre, all while framed within Gus’s dreams. Other guest stars round out the fun, such as Dean Cameron, who played Chainsaw in one of Shawn’s favorites, Summer School, William Zabka, a.k.a. Johnny Lawrence from Karate Kid, and Phylicia Rashad, who returns as Gus’s mother. “Nightmare on State Street” aims for horror lovers and hits the mark with its numerous references. Oh, and zombie Curt Smith.
—————————————————————————————————————————–
The Break-Up
Season 8, Episode 10
I really needed to add the series finale here, mostly because of how well it ties up each characters’ arc. Shawn has a difficult time telling Gus that he’s moving to San Francisco to be with Juliet, especially after Gus manages to find a new job and get his life back on track. This episode shows the depths of Shawn and Gus’s relationship, with Shawn blaming himself for disrupting Gus’s life but Gus uprooting himself to be with his best friend. It also gives us closure to Lassie’s respect for Shawn when he refuses to listen to Shawn’s video confessional that he’s not a real psychic despite years of Lassie’s skepticism. We also get to see McNab finally promoted, assuming the title of detective despite having the worst score Lassie has ever seen. All of this is wrapped up alongside guest appearances by two actors idolized by Shawn; Billy Zane and Val Kilmer. “The Break-Up” is an emotional finish to a hilarious train ride and, in my opinion, the perfect way to end the series.
—————————————————————————————————————————–
Boom boom boom… Wrap up! I know a lot of my fellow Psych-Os out there may disagree with a few of my choices, which is fair. Narrowing down a list like that has been one of the hardest things to do, especially with a show as diverse as Psych has been through the years. So hey, if you disagree with me, let me know! What is your favorite episode? And what are you most excited for from the upcoming movie? Feel free to drop a comment down below or you can find me on Twitter, @IdiotAtPlay, and tweet me your picks.
BBC broke the internet when they announced this morning the casting news for the next season of Doctor Who. The Doctor, most previous played by Peter Capaldi, will now be represented by Jodie Whittaker, who is best known for her roles in Broadchurch and Attack the Block alongside current Star Wars actor John Boyega.
Of course, the news has polarized Doctor Who fans. Over the past few years, there has been a major online movement to cast a woman in the role of the Doctor. However, there are a number of Doctor Who purists who are disappointed by the casting, feeling that, in a show centered around a time-travelling alien who can regenerate into a new body once they die, the idea of a woman Doctor is unbelievable.
Unfortunately, much of the backlash isn’t all that civil, with many naysayers using outright misogyny to denounce the news. Which, in my opinion, is unfortunate as Whittaker is a talented actress and is sure to bring her own flair to the role.
Regardless of your feelings on the matter, the casting of Whittaker marks a new direction for the show, as not only will this season bring on a new Doctor, but also a new show-runner as well, with Broadchurch creator Chris Chibnall taking over for Steven Moffat.
As has been the tradition, Whittaker will officially take over the role in the Christmas episode.
The news was announced in a promotional trailer that played after the Wimbledon men’s singles final. Watch the trailer below.
You can also read more about the announcement, including a short interview with Whittaker, on BBC’s website.
Will Jodie Whittaker’s take on the Doctor be as lovable as David Tennant’s, as memorable as Matt Smith’s, or as short lived as Christopher Eccleston’s? Only time will tell, but personally, I’m excited for the gender swap.
Finally, my favorite water based game has been turned into a Netflix original series! Kidding aside, Marco Polo seems like one of those shows that you either hate or love. While I understand that this show may not be for everyone, I implore anybody who has a fascination with history, the Silk Road, or the khans, to check this show out because it offers so much more than other shows on TV at this time.
Marco Polo takes a page out of the History Channel’s show, Vikings. It takes real historical figures, real moments in history, and real locations, and mushes them all together in a period piece show that takes many liberties in the name of creating a more entertaining and interesting story. Marco Polo also studies at the school of Game of Thrones as it ties its story and pacing directly towards the political intrigue of the world they are building. Multiple scenes this season of Marco Polo had me thinking of Vikings and Game of Thrones, and while this show is not on the same level as those, I feel it is playing in a similar ball park in terms of production, wardrobe, sets, and props.
The show itself is called Marco Polo, but with limited clarification that the real Marco Polo ever even spent time in China looming over the credibility of the show, you have to go into it knowing that this series is not striving to be 100% historically accurate.
In the first season, the actor who plays Marco Polo, Lorenzo Richelmy, comes across as wooden, uninterested, and overall not a pleasure to watch play the character. Thankfully, though the show takes his name as its title, he has limited screen time despite being the starring man. Like many, I am of the camp that think the show should be renamed to “The Silk Road,” because the show is more about the Mongol and China war as well as Kublai Khan and his family. However, while watching Season 2 there was something so obvious in the changes Lorenzo Richelmy made to his performance. His line delivery was not as pain educing, and he showcased much more charisma that we all think of when pondering about the type of person the real Marco Polo probably was. Lorenzo did seem like he was in the shoes of the character more, and was having more fun walking in said shoes. By no means was this a memorable or amazing performance, but it was serviceable and that was enough for me to really get behind his scenes this season.
The real star of the show and ultimate scene stealer is Benedict Wong, who plays Kublai Khan. This guy has one of the most kinetic performances on TV right now. Every moment he is on screen he is oozing the great Khan of Khans which offers many memorable moments of a wide range of emotions on display. I could watch this guy act ALL day, and I think it would be a crime if he weren’t recognized by some sort of award, be it verbal or physical.
There is always one character that I do not get enough of, and heck could even use a spin off show on and that is Hundred eyes, played by Tom Wu. Tom Wu is relatively unknown in terms of leading man roles, however he did have short spots in movies like Batman Begins, 007: Skyfall, and Kick Ass 2. This surprisingly talented actor really shines as Hundred Eyes, the blind monk who “serves” for Kublai. Some of the most emotionally rich scenes this season are from him and the always lovely Michelle Yeoh (Crouching Tiger Hidden Dragon) who continues her resurgence as the mighty protector, Lotus. There are so many great martial arts scenes with these two together as well as apart. The choreography really shines when either of these two are on screen.
Marco Polo is a show that looks good in terms of cinematography, set design, and wardrobe. Even though this show does not live up to the plateau that Game of Thrones and Vikings shows have created, it still stands on its own as a very intriguing and interesting “historical” show. The acting may not be perfect across the board, and some of the arcs may not bare fruit until late game but, the pacing always worked for me as a person who is deeply interested in the political and cultural nature of those times. While the show offers a somewhat high barrier to entry which relies on the viewer’s personal interest in this culture, the times, and political ongoings, I strongly suggest any and all who are interested in the Silk Road to check out this show. Start from Season 1, check out the Hundred Eyes episode in between season one and two and then finish off with 2, which ends on a major cliffhanger which has me hoping we will get plenty more of this show. It seems the viewers enjoy it more than actual critics, so it is just one of those polarizing shows that require your own eyes to see where your views align. Mine align strictly on the side of fandom and I could not be more hyped for more to come.
If you enjoyed it and want to chat, or need some convincing and want to ask questions, leave a comment for me below and I will be more than happy to interact!
For some of us, ReedPOP’s New York Comic Con is like Christmas: there’s jolly folks you only get to see once a year, everyone is in a festive spirit, and there are scores of gifts to purchase (mainly for ourselves!). It’s an absolute blast for those craving a huge convention akin to the geek Mecca that is San Diego Comic Con, but much more comic oriented. This year marks the first ever New York Super Week as well, an immersive and inclusive experience that aims to bring the energy, passion and color of the entire universe of popular culture to every corner of NYC.
This year boasts big names from Marvel and DC, including Lord and Savior, Stan Lee, writers Dan Slott, Scott Snyder, Gail Simone, and artists Jerome Opena, Greg Capullo, and Humberto Ramos, among many more, even including manga creator Takeshi Obata (Death Note, Bakuman). Topping our list are also independent writers Brian K. Vaughan (Saga, Y: The Last Man, Runaways), the DeFractions (Kelly Sue & Matt), and the beautiful team up of Kieron Gillen and Jamie McKelvie (Phonogram, Wicked+Divine).
If you’re not interested in the floppy, stapled pages of comics, there’s still tons for you to enjoy, such as panels ranging from screenings of the upcoming show, Constantine, to the debut of Marvel’s Daredevil cast, to what you can expect in the coming year from Funimation, Capcom, and more!
Maybe your tastes run more toward the art of cosplay? No worries, you have the chance to enter the Eastern Cosplay Competition, and show off the long hours put into the labor of love that is cosplay. Just make sure to find us so we can take your photo!!
Lastly, who can forget the stars lovingly sitting behind tables signing each of their fan’s loved items? NYCC has brought damn near the whole cast of Star Trek: The Next Generation, so we hope you’re rejoicing, fellow Trekkies! There’s also a huge roster of voice actors from your favorite cartoons, and in some cases, actors who hit you right in the nostalgia (we’re looking at you, Ralph Macchio!). Finally, the scientific cherry on top of the convention Sunday: Bill Nye the Science Guy.
NYCC rolls into town October 9th and runs until October 12th. Grab your tickets while you still can and we will see you at the Jacob Javitz Center!
Leia Calderon
Editor
@ladyvader99
I’ve spent a large portion of my life wanting to be Buffy Summers. While I have Faith Lehane’s tattoo emblazoned on my upper right arm, Buffy was my model. I know I’m not alone in this, I know a good deal of my generation grew up with the same goal: to someday be Buffy Summers.
What most people seem to remember about Buffy Summers: she wins a lot.
What most people seem to forget about Buffy Summers: she lost a lot.
Now, it’s not that people don’t remember these plot points, obviously they do. But they don’t seem to remember what loss means. What it can do to a person. They don’t remember that even as she is winning she is often losing. They forget that, because we are limited to an hour of Buffy each installment, we don’t see the full effect of the loss on her and those around her.
We don’t see Buffy really suffer because it’s not “good TV.” Genuine reality rarely is.
Buffy loses friends and allies and the mourning is brief. Buffy is forced to literally send the man she loves to Hell because, even if he’s good again now, he has been bad. He comes back and the problem is apparently solved (good TV), but Buffy’s pain over all of this is truncated. Buffy is nearly raped by someone she’s come to trust and the backlash against him is unbelievably portrayed (good TV?). Buffy dies, twice, and she comes back.
Real life for those of us who walk the path of Buffy does not have the convenience of “the network wants another season.” We have to live the fight in real time.
Maybe all you see from us is the equivalent of an hour a week. So when we cry or when we show pain, it’s unusual for you. Maybe it’s unbelievable. Strong women don’t DO that, Buffy cried in montages, why can’t you cry in montages?
We get told we’re “strong enough to handle this.” And we are. Trust me, we are. But even strong girls are defeated. Even strong girls hurt and cry and we need to be allowed to do it, no matter how uncomfortable that thought might make you. We need to suffer our losses, and we will.
This is our fight. Buffy never fought because she wanted to, in several cases she tries to stop fighting only to find out she can’t. Buffy fights because she has to. And we fight because there isn’t an alternative.
The dark things out there will always out number us. They will sometimes win. There will be cases where there is nothing we can really do, we don’t have the power to do it (Season 5 reminder: Buffy doesn’t kill the Big Bad that season. Giles has to do it for her because Buffy has limits imposed on her that he doesn’t). We can’t always just roundhouse kick the problem and pun and walk away. Not just because this is the real world, but because even within Buffy’s world that’s not always possible.
Allies are hugely important. But they’re ALLIES, they’re not directly in the fight, and sometimes they need to back off and let us fight. Sometimes they have to let us cry and be weak and not belittle the very, very real shit we live with every day. Xander was sometimes a total asshole and needed to shut his fucking mouth, okay? He was important, sure. However, while it was a fight he profited from, it WASN’T. HIS. FIGHT.
I have done my best to be Buffy Summers. Even in that I know I’ve failed. But I’ve learned as I’ve gone along, about my power, about power in general, that having power isn’t the same as being able to use it wisely, that it’s not about strength or weakness but about humanity and all the things that come with it.
I am strong. I know how to be strong. I have to keep fighting. Don’t you tell me what strength is.
Dear Amy (Ms. Poehler? I feel like I should possibly at least try to start out formally here, but that’s not really working, is it?),
You are so awesome.
I mean, you are awesome to a point I cannot entirely express. Not just for the fact that you are one of the funniest people in show business right now, that you were a long-time cast member on SNL where you got to follow in the footsteps of the amazing Jane Curtain as one half of the Weekend Update team, and you are the star of one of the most lauded TV shows currently running. I mean, that would kinda be enough right there, but you go beyond that.
You don’t take crap. In an interview from 2004, Tina Fey shared this story: Amy Poehler and I were in the airport last week in Toronto and we were getting hassled by this middle-aged businessman who was doing that thing that middle-aged businessmen do, being rude. And then Amy, in the middle of the airport, screamed, ‘Fuck you, you fuckin’ dick, you fuckin’ rich asshole.'” It’s one of numerous examples of you refusing to put up with bullshit.
You don’t shy away from the word “feminist,” in fact you fully embrace it and encourage other women to do so as well. Your series Smart Girls at the Party highlights and celebrates this fact, and is done so without being patronizing.
You don’t seem to buy into bullshit about “having it all” or “not having it all.”
You see the very, very real power in never losing the fiery little girl inside yourself who hasn’t been smacked down by societal rules about being ladylike and a good girl.
You got on stage with the motherfucking Foo Fighters and sang Joan Jett’s hit “Bad Reputation.”
Please enter the url to a YouTube video.This isn’t just mindless praise, Amy. Well, okay, it is praise, but it is not mindless. This the precursor to a desperate plea.
Let me train with you, Amy Poehler. Let me learn your ways.
Let me travel to your hidden mountain sanctuary and become your student. I am humble, I know I have much to learn and I am willing. Teach me how to be funny without being self-depreciating. Guide me so that I may hold my head high and be all right with being seen as bossy, a bitch, imperfect. Impart upon me your wisdom that I may use it to bring justice to this world.
Let me be your apprentice, your squire, your intern, your whatever is the least creepy of these options. Train me day in and day out until I am at risk of the student becoming the master and you have to put me down because I’ve taken your teachings to a place of darkness and evil.
Or, you know. Don’t. That’s cool, too.
Ashly is generally joking about stuff, but she’s not entirely kidding about this. If Amy Poehler wants to reach her she can try via Twitter, @newageamazon.